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Burkholder highlights Ives' mastery of different styles and his ability to interweave them in his mature works, making his music accessible to a wide audience. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 366 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 10 April 2021\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Rowman \u0026amp; Littlefield\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eCharles Ives, widely recognized as the pioneering American composer of classical music, presents a captivating musical journey that defies expectations. His compositions are characterized by their ability to surprise and engage listeners, with each piece offering a unique and unexpected experience. Despite the challenges of listening to Ives' music, it is a rewarding endeavor that rewards those who take the time to explore it. \u003c\/p\u003e\u003ch1\u003eCharles Ives: The First Great American Composer of Classical Music\u003c\/h1\u003e \u003cp\u003eCharles Ives, widely regarded as the first great American composer of classical music, has left an indelible mark on the world of music. His diverse musical output and unusual career have earned him widespread acclaim and recognition. However, listening to his music is an adventure that requires a willingness to embrace the unexpected. \u003c\/p\u003e \u003cp\u003eOne of the most striking aspects of Ives' music is its ability to begin in one place and end in another. 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These works exhibit a wide variety of focuses and scopes, each aimed at enhancing our understanding of the multifaceted nature of music. From its role in representing the ideals of the Republic of Venice to its central significance in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi, Rosand's analyses delve into the intricate workings of music. With a methodological flexibility that responds to the specific qualities of the works, she explores various aspects, such as the mimetic significance of formal motifs and scenic conventions, the intimate relationship between music and text, the dramatic choices of composers, the discovery of new musical personalities (such as Barbara Strozzi), and the historical and cultural contexts that shaped the emergence of opera in Venice. Through her meticulous research and insightful interpretations, Rosand has not only broadened our horizons regarding seventeenth-century music but also provided fresh perspectives on the more canonical repertoire of the eighteenth century. 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TASCHEN presents an official account of the label, including essays by cultural historians and music and architecture critics, and hundreds of images from Capitols extensive archives. The book follows the label's evolution and the making of some of the greatest music of the 20th and 21st centuries, featuring artists such as Miles Davis, Nat King Cole, the Kingston Trio, Frank Sinatra, the Beach Boys, the Band, the Beatles, Pink Floyd, Wings, Steve Miller Band, Bob Seger, Linda Ronstadt, Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 488 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 27 March 2021\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Taschen GmbH\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eFrom the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have graced the iconic doors of the Capitol Records Tower, one of Hollywood's most distinctive landmarks and the home of one of the world's most defining labels for over 75+ years. To celebrate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, spanning from its founding year of 1942 to the present day. With a foreword by Beck, essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol's extensive archives, we delve into the label's evolution and the creation of some of the greatest music of the 20th and 21st centuries.\u003cbr\u003e\u003cbr\u003eSpanning various genres such as pop, rock, country, classical, soul, and jazz, this photographic and musical history showcases the labels most successful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight. Throughout its journey, Capitol Records has witnessed the rise and fall of countless artists, leaving an indelible mark on the music industry.\u003cbr\u003e\u003cbr\u003eIn its early years, Capitol Records was home to legends like Miles Davis, Nat King Cole, the Kingston Trio, and Frank Sinatra. The 1960s saw the label embrace the Beach Boys, the Band, and the Beatles, who revolutionized the music scene with their innovative sounds and catchy melodies. The 1970s brought forth global rock magnets like Pink Floyd, Wings, Steve Miller Band, Bob Seger, and Linda Ronstadt, who continue to inspire generations with their timeless music.\u003cbr\u003e\u003cbr\u003eThe 1980s and 1990s witnessed the emergence of iconic bands like the Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt, who pushed the boundaries of music and left an indelible mark on popular culture. 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It offers engaging and relevant explanations of theory concepts, progressive exercises, challenge questions, tips, and ideas for linking theory to music listening, performing, and instrumental\/singing lessons. It also includes a sample practice exam paper to help students prepare for the new style of exams. \u003c\/blockquote\u003e\u003cp\u003e\n                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Sheet music\u003cbr\u003e\n                              \u003cstrong\u003eLength\u003c\/strong\u003e: 68 pages\u003cbr\u003e\n                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 08 October 2020\u003cbr\u003e\n                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Associated Board of the Royal Schools of Music\u003cbr\u003e\n                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eDiscovering Music Theory is a comprehensive suite of workbooks and corresponding answer books designed to provide thorough preparation for the updated ABRSM Music Theory exams, including the new online papers, from 2020. This full-color workbook is tailored to cater to students of all ages, equipping them with the essential skills, knowledge, and understanding required to excel in the ABRSM Grade 1 Music Theory exam. Written with the aim of making theory engaging and relevant to developing musicians of all ages, it offers a range of features to facilitate learning and growth.\u003cbr\u003e\u003cbr\u003eThe workbook begins with straightforward explanations of all new concepts, ensuring a clear understanding of the theoretical foundations. Progressive exercises are then presented, carefully designed to build skills and understanding step by step. These exercises cover a wide range of topics, from note reading and rhythm to melody and harmony. Challenge questions are included to test students' knowledge and encourage critical thinking, while helpful tips provide guidance on how to approach specific exercises effectively. Additionally, the workbook offers ideas for linking theory to music listening, performing, and instrumental\/singing lessons, fostering a deeper understanding of the musical language.\u003cbr\u003e\u003cbr\u003eClear signposting and progress reviews are provided throughout, allowing students to track their understanding and identify areas for improvement. A sample practice exam paper is also included, showcasing the format and style of the new exams from 2020.\u003cbr\u003e\u003cbr\u003eIn addition to fully supporting the ABRSM theory syllabus, Discovering Music Theory serves as an excellent resource for anyone seeking to enhance their music literacy skills, including GCSE and A-Level candidates, as well as adult learners. 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It offers engaging and relevant explanations of theory concepts, progressive exercises, challenge questions, tips, and ideas for linking theory to music practice. The book is suitable for students of all ages and levels and fully supports the ABRSM theory syllabus. \u003c\/blockquote\u003e\u003cp\u003e\n                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Sheet music\u003cbr\u003e\n                              \u003cstrong\u003eLength\u003c\/strong\u003e: 64 pages\u003cbr\u003e\n                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 08 October 2020\u003cbr\u003e\n                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Associated Board of the Royal Schools of Music\u003cbr\u003e\n                          \u003c\/p\u003e \u003cp\u003eDiscovering Music Theory is a suite of workbooks and corresponding answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. 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It offers engaging and relevant explanations of theory concepts, progressive exercises, challenge questions, tips, and ideas for linking theory to music practice. The book is suitable for students of all ages and levels and fully supports the ABRSM theory syllabus. \u003c\/blockquote\u003e\u003cp\u003e\n                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Sheet music\u003cbr\u003e\n                              \u003cstrong\u003eLength\u003c\/strong\u003e: 68 pages\u003cbr\u003e\n                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 08 October 2020\u003cbr\u003e\n                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Associated Board of the Royal Schools of Music\u003cbr\u003e\n                          \u003c\/p\u003e \u003cp\u003eDiscovering Music Theory is a suite of workbooks and corresponding answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. 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Annihilating Noise presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and order, and applies it to 21st-century concerns and today's technological ecology. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 304 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 10 December 2020\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Bloomsbury Publishing Plc\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eNoise has emerged as a prominent model of cultural and theoretical thought in recent years, building upon Hegarty's influential 2007 book, \"Noise\/Music: Annihilating Noise.\" In sixteen essays, Annihilating Noise explores how noise offers a unique perspective on critical resistance, disruptive creativity, and a multifaceted understanding of the unexpected, the dissonant, and the unfamiliar. It challenges the notion of noise as a negative entity with no fixed identity, instead presenting it as a concept that can only be defined in relation to and in opposition to meaning and order. Beyond the realm of experimental music, Annihilating Noise considers noise as an idea and practice within various frameworks, including social, ecological, and philosophical perspectives. It highlights the disruptive implications of noise on our ways of thinking, acting, and organizing in the world and applies these insights to contemporary concerns and the technological ecology of the 21st century.\u003c\/p\u003e\u003cp\u003e                            \u003cstrong\u003eWeight\u003c\/strong\u003e: 586g                            \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 159 x 237 x 24 (mm)                            \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781501335433                                                      \u003c\/p\u003e","brand":"PaulHegarty","offers":[{"title":"Hardback","offer_id":44094297604346,"sku":"9781501335433","price":83.3,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/89fec05287484236c8073c754a6772db.jpg?v=1620708970"},{"product_id":"annihilating-noise-1","title":"Annihilating Noise","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eNoise has become a model of cultural and theoretical thinking, offering a way of thinking about critical resistance, disruptive creativity, and the unexpected. Annihilating Noise presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and order, and applies it to 21st-century concerns and today's technological ecology. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 296 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 10 December 2020\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Bloomsbury Publishing Plc\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eNoise has emerged as a prominent model of cultural and theoretical thought in recent years, building upon Hegarty's influential 2007 book, \"Noise\/Music: Annihilating Noise.\" In sixteen essays, Annihilating Noise explores how noise offers a unique perspective on critical resistance, disruptive creativity, and a multifaceted understanding of the unexpected, the dissonant, and the unfamiliar. It challenges the notion of noise as a negative entity with no fixed identity, instead presenting it as a concept that can only be defined in relation to and in opposition to meaning and order. Beyond the realm of experimental music, Annihilating Noise considers noise as an idea and practice within various frameworks, including social, ecological, and philosophical perspectives. It highlights the disruptive implications of noise on our ways of thinking, acting, and organizing in the world and applies these insights to contemporary concerns and the technological ecology of the 21st century.\u003c\/p\u003e\u003cp\u003e                            \u003cstrong\u003eWeight\u003c\/strong\u003e: 482g                            \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 152 x 227 x 21 (mm)                            \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781501335440                                                      \u003c\/p\u003e","brand":"PaulHegarty","offers":[{"title":"Paperback \/ softback","offer_id":44094223515898,"sku":"9781501335440","price":20.81,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/89fec05287484236c8073c754a6772db_5f7d361b-9507-4f41-8ebf-6c2daa595852.jpg?v=1620708975"},{"product_id":"sonic-intimacy-reggae-sound-systems-jungle-pirate-radio-and-grime-youtube-music-videos-1","title":"Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eMalcolm James explores the concept of sonic intimacy in relation to racial capitalism, examining how it relates to social, psychic, spatial, and temporal movements in modern society. He emphasizes the importance of developing sonic intimacy for human relations and alternative black and anti-capitalist public politics. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 152 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 12 November 2020\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Bloomsbury Publishing Plc\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eSonic intimacy is a fundamental concept that allows us to examine the intricate relationships between sound, human beings, and technology in the context of racial capitalism. It encompasses the multifaceted dimensions of sound, including its emotional impact, cultural significance, and technological advancements. By exploring sonic intimacy, we can better understand how it shapes and influences our interactions, relationships, and experiences in the modern world.\u003cbr\u003e\u003cbr\u003eOne of the central questions surrounding sonic intimacy is its evolution and transformation. As society continues to evolve, the way we engage with sound and create intimacy has undergone significant changes. The rise of digital technologies, for instance, has opened up new possibilities for music production, distribution, and consumption, leading to the emergence of alternative music cultures such as reggae sound systems, jungle pirate radio, and grime YouTube music videos. These cultures represent unique expressions of sonic intimacy, reflecting the diverse experiences and perspectives of marginalized communities.\u003cbr\u003e\u003cbr\u003eIn his book, Malcolm James takes a critical approach to analyzing these alternative music cultures. Through an in-depth examination of reggae sound systems, jungle pirate radio, and grime YouTube music videos, James demonstrates how sonic intimacy pertains to modernity's social, psychic, spatial, and temporal movements. He highlights the ways in which these cultures challenge dominant narratives, promote social justice, and create spaces for resistance and empowerment.\u003cbr\u003e\u003cbr\u003eSonic intimacy, therefore, holds immense significance for human relations and alternative black and anti-capitalist public politics. It provides a framework for understanding the power of sound to shape our experiences, foster connections, and challenge oppressive systems. 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