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She also considers the film's critical and commercial reception in Britain, Europe, and the United States, as well as its contemporary resonances in TV and cinema. \u003c\/blockquote\u003e\u003cp\u003e \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e \u003cstrong\u003eLength\u003c\/strong\u003e: 120 pages\u003cbr\u003e \u003cstrong\u003ePublication date\u003c\/strong\u003e: 29 October 2020\u003cbr\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: British Film Institute\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eAmy Sargeant's compelling and meticulous study of Joseph Losey's \"The Servant\" (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers, and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the young master Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony. Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald, and costume designer Beatrice Bumble Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. 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It features case studies, a photo-essay, and discussions of transnational perspectives on the essay film as a global practice. \u003c\/blockquote\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e \u003cstrong\u003eLength\u003c\/strong\u003e: 264 pages\u003cbr\u003e \u003cstrong\u003ePublication date\u003c\/strong\u003e: 28 February 2021\u003cbr\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: Edinburgh University Press\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003cstrong\u003eWeight\u003c\/strong\u003e: 410g \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 154 x 235 x 27 (mm) \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781474429252 \u003c\/p\u003e","brand":"Shulph Ink","offers":[{"title":"Paperback \/ softback","offer_id":44096241467642,"sku":"9781474429252","price":23.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/5a02bac28701bdcd6426723051fba2d8.jpg?v=1620700385"},{"product_id":"refocus-the-films-of-francis-veber","title":"Refocus: the Films of Francis Veber","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eFrancis Veber's comedy films have been overlooked in Film Studies, but this book explores his twelve films between 1976 and 2008, challenging taste, genre, and aesthetics. Corson examines class, labor, and politics to show how Veber embeds serious social critiques in his mainstream films. \u003c\/blockquote\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e \u003cstrong\u003eLength\u003c\/strong\u003e: 176 pages\u003cbr\u003e \u003cstrong\u003ePublication date\u003c\/strong\u003e: 28 February 2021\u003cbr\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: Edinburgh University Press\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003cstrong\u003eWeight\u003c\/strong\u003e: 280g \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 155 x 233 x 14 (mm) \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781474429498 \u003c\/p\u003e","brand":"Keith Corson","offers":[{"title":"Paperback \/ softback","offer_id":44096230326522,"sku":"9781474429498","price":18.55,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/7c88807b91cb02b7bdcc21574996595e.jpg?v=1620700898"},{"product_id":"contemporary-greek-cinema-and-migration-1991-to-2016","title":"Contemporary Greek Cinema and Migration: 1991 to 2016","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eGreek Cinema and Migration explores the cultural impact of immigration in Greece and the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe, placing it within the context of European film production and transnational cinema. It provides case studies of films such as The Suspended Step of the Stork (1991), The Way to the West (2003), and Man at Sea (2011) to understand contemporary Greek cinema's direct correlation to the country's ongoing struggles to implement European modernity. \u003c\/blockquote\u003e\u003cp\u003e \u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e \u003cstrong\u003eLength\u003c\/strong\u003e: 240 pages\u003cbr\u003e \u003cstrong\u003ePublication date\u003c\/strong\u003e: 30 November 2020\u003cbr\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: Edinburgh University Press\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eGreek Cinema and Migration: A Response to Urgent Calls for Understanding\u003cbr\u003eGreek cinema has emerged as a powerful tool for exploring the cultural impact of immigration in Greece and challenging the logic of Fortress Europe. 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For example, the book discusses the challenges faced by immigrants in accessing education, healthcare, and employment, and the ways in which these challenges have contributed to the growth of xenophobia and racism in Greece.\u003cbr\u003eAnother important theme explored in Greek Cinema and Migration is the role of Greek cinema in challenging the logic of Fortress Europe. The book argues that Greek cinema has the potential to challenge the dominant narratives of migration and to promote a more inclusive and diverse society. By portraying the experiences of immigrants and their struggles, Greek cinema can help to break down the barriers that exist between different communities and to promote a sense of belonging and identity.\u003cbr\u003eGreek Cinema and Migration also examines the ways in which Greek cinema has been influenced by transnational cinema. The book highlights how Greek filmmakers have been inspired by the work of other filmmakers from around the world, and how they have incorporated their own unique perspectives and styles into their films. This has led to the development of a distinctive Greek cinema that is both unique and internationally recognized.\u003cbr\u003eOne of the most notable films discussed in Greek Cinema and Migration is The Suspended Step of the Stork (1991). Directed by Theo Angelopoulos, this film tells the story of a Greek immigrant who returns to his homeland after many years of exile. The film explores the themes of identity, belonging, and the search for a sense of home, and has been praised for its powerful and emotional portrayal of the immigrant experience.\u003cbr\u003eAnother important film discussed in Greek Cinema and Migration is The Way to the West (2003). Directed by Costa-Gavras, this film tells the story of a Greek immigrant who travels to the United States in search of a better life. The film explores the themes of immigration, assimilation, and the struggle for identity, and has been praised for its realistic and nuanced portrayal of the immigrant experience.\u003cbr\u003eMan at Sea (2011) is another notable film discussed in Greek Cinema and Migration. Directed by Yannis Economides, this film tells the story of a Greek fisherman who travels to the Mediterranean Sea in search of a new life. The film explores the themes of migration, identity, and the impact of globalization on the fishing industry, and has been praised for its beautiful and poetic portrayal of the sea.\u003cbr\u003eIn addition to its exploration of the cultural impact of immigration, Greek Cinema and Migration also provides a critical analysis of the political and economic structures that have contributed to the migration crisis in Greece. The book argues that the European Union's policies on migration have been ineffective and have led to the exploitation of immigrants and the growth of xenophobia and racism. The book also highlights the role of the Greek government in promoting migration and the ways in which this has contributed to the country's economic and social problems.\u003cbr\u003eGreek Cinema and Migration is a timely and important book that provides a comprehensive understanding of the cultural impact of immigration in Greece and the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe. Through its case studies of films and its critical analysis of the political and economic structures that have contributed to the migration crisis, the book offers valuable insights into the challenges that Greece faces in implementing European modernity and promoting a more inclusive and diverse society.\u003cbr\u003eGreek Cinema and Migration: A Response to Urgent Calls for Understanding\u003cbr\u003eGreek cinema has emerged as a powerful tool for exploring the cultural impact of immigration in Greece and challenging the logic of Fortress Europe. Placing contemporary Greek cinema within the context of European film production and transnational cinema, Greek Cinema and Migration explores the fascination of Greek filmmakers with migration, mobility, borders, and identity between 1991 and 2016. 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Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianit (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel, and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the history of the national cinema.\u003cbr\u003e\u003cbr\u003eAmedeo Nazzari and Alberto Sordi are two of the most famous actors in Italian cinema. Their careers have spanned several decades, and they have played a significant role in shaping the image of Italian cinema. Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility.\u003cbr\u003e\u003cbr\u003eThe film examines the concept of italianit (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel, and their supporting infrastructures. 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ReFocus: The Films of Barbara Kopple explores her career, funding, style, production, and reception, examining her films' interrogations of social class through the lenses of gender, sexuality, and race. It also assesses her critical reputation and enduring influence on contemporary filmmakers in a shifting digital media landscape. \u003c\/blockquote\u003e\u003cp\u003e \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e \u003cstrong\u003eLength\u003c\/strong\u003e: 272 pages\u003cbr\u003e \u003cstrong\u003ePublication date\u003c\/strong\u003e: 30 November 2020\u003cbr\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: Edinburgh University Press\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eBarbara Kopple, the trailblazing filmmaker who made history by becoming the first woman to win two Best Documentary Oscars, is a scholar whose work deserves extensive attention. 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He discusses the realist tradition, which emphasizes the importance of representing reality accurately and objectively, and the modernist tradition, which emphasizes the use of artistic techniques to create a sense of reality. He also discusses the postmodernist tradition, which challenges the idea of realism and suggests that reality is a constructed illusion.\u003cbr\u003e\u003cbr\u003eOne of the challenges of cinematic realism is the issue of verisimilitude. Verisimilitude refers to the degree to which a film or other work of art appears to be real. Aitken argues that verisimilitude is not simply a matter of technical accuracy but also involves the emotional and psychological impact of the work. A film that is verisimilar can create a sense of immersion and engagement that can be difficult to achieve with other forms of art.\u003cbr\u003e\u003cbr\u003eAitken also discusses the role of the filmmaker in cinematic realism. He argues that the filmmaker has a responsibility to create a film that is both accurate and meaningful. This means that the filmmaker must be aware of the cultural and historical context in which the film is set and must work to create a film that is relevant to the audience.\u003cbr\u003e\u003cbr\u003eIn addition to its theoretical aspects, cinematic realism has also had a significant impact on the film industry. Aitken argues that cinematic realism has led to the development of more realistic and authentic films, which have been more successful with audiences. He also argues that cinematic realism has helped to break down the barriers between different cultures and has contributed to the development of a more globalized film industry.\u003cbr\u003e\u003cbr\u003eHowever, cinematic realism has also been criticized for its limitations. One of the main criticisms is that cinematic realism can be too focused on the technical aspects of film-making and can neglect the emotional and psychological aspects of the story. Aitken argues that this can lead to a sense of detachment from the film and can make it difficult for the audience to connect with the characters.\u003cbr\u003e\u003cbr\u003eAnother criticism of cinematic realism is that it can be too limiting in terms of the types of stories that can be told. Aitken argues that cinematic realism can be used to tell a wide range of stories, but it can be difficult to create a film that is both realistic and engaging. This can lead to a sense of boredom or frustration for the audience.\u003cbr\u003e\u003cbr\u003eIn conclusion, cinematic realism is a significant issue that explores the relationship between representation and reality in film. 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The author examines how animals are used as symbols, metaphors, and allegories in film to convey messages about power, beauty, nature, and human-animal relations. Through a close analysis of these themes, the author demonstrates how animals can be used to challenge and subvert dominant cultural narratives and promote a more nuanced and complex understanding of human-animal relations.\u003cbr\u003e\u003cbr\u003eIn conclusion, Animal Worlds offers a groundbreaking exploration of the complex relations between cinematic time and animal life. Through a comprehensive and interdisciplinary approach, the author provides a fresh perspective on the ways in which animals are portrayed and interpreted within the cinematic realm. 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It was praised for its humor, action, and feminist themes.\u003cbr\u003e\u003cbr\u003eHowever, the Ghostbusters reboot has also faced criticism for its portrayal of women. Some critics argue that the film perpetuates stereotypes and that the female characters are not given enough screen time or development. Others argue that the film is too reliant on nostalgia and that it does not offer anything new to the franchise.\u003cbr\u003e\u003cbr\u003eSeries reboots have also become a popular phenomenon in recent years. Series reboots can take many different forms, from a complete overhaul of a series to a continuation of a series with a new cast of characters. One of the most notable examples of a series reboot is Star Trek. The Star Trek franchise has been rebooted multiple times, with each new iteration bringing a fresh take on the story and the characters. The first Star Trek reboot, directed by J.J. Abrams, was released in 2009 and was a critical and commercial success. 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From financial struggles to creative differences, the company had to navigate a complex web of relationships and challenges to remain relevant and successful.\u003cbr\u003e\u003cbr\u003eDespite these challenges, the company has remained steadfast in its commitment to quality and innovation. It has continued to push the boundaries of what is possible in filmmaking, producing a series of groundbreaking films that have left a lasting impact on the industry.\u003cbr\u003e\u003cbr\u003eOne of the key factors that has contributed to the company's success is its ability to adapt to changing market conditions. The company has been quick to recognize new trends and technologies, and has been able to leverage them to its advantage. For example, it was one of the first companies to embrace digital filmmaking, and has since produced a number of award-winning films that have been shot entirely on digital cameras.\u003cbr\u003e\u003cbr\u003eAnother factor that has played a role in the company's success is its strong culture of collaboration. The company has a reputation for fostering a creative and supportive environment, where filmmakers and other industry professionals can come together to create something truly special. This culture has helped to attract and retain top talent, and has contributed to the company's ability to produce a wide range of high-quality films.\u003cbr\u003e\u003cbr\u003eIn conclusion, the journey of Working Title Films is a testament to the power of creativity, collaboration, and adaptability. From its humble beginnings in London to its position as a global powerhouse in the film industry, the company has evolved in a way that is both remarkable and inspiring. By situating its history within the ever-changing landscape of the British and Hollywood film industries, the author has provided a comprehensive and insightful analysis of the factors that have contributed to its success.\u003cbr\u003e\u003cbr\u003eAs the company continues to evolve and adapt to the changing landscape of the film industry, it will be fascinating to see what new challenges and opportunities it will face. However, one thing is certain: Working Title Films will always be a force to be reckoned with, and will continue to play a vital role in shaping the future of filmmaking.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eIntroduction:\u003c\/strong\u003e\u003cbr\u003eWorking Title Films is a renowned British film production company that has made a significant impact on the film industry over the past four decades. Founded in 1970 by Tim Bevan and Eric Fellner, the company has produced a diverse range of films that have been critically acclaimed and commercially successful. In this essay, we will explore the history, evolution, and impact of Working Title Films on the British and Hollywood film industries.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEarly Years:\u003c\/strong\u003e\u003cbr\u003eWorking Title Films was founded in 1970 as a small production company in London. The company's first film, \"The Small Back Room,\" was released in 1971 and was a critical success, winning several awards and establishing the company's reputation for quality filmmaking. Over the next few years, the company produced a series of films that explored a range of social and political issues, including \"The Long Day's Dying\" (1972), \"The Loneliness of the Long Distance Runner\" (1972), and \"The Offence\" (1972).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExpansion and Partnerships:\u003c\/strong\u003e\u003cbr\u003eIn the early 1980s, Working Title Films began to expand its operations, partnering with major Hollywood studios such as Universal Pictures and Paramount Pictures. This allowed the company to access a wider range of resources and opportunities, and to produce films that were more commercially successful. One of the most notable films produced by Working Title Films during this period was \"Four Weddings and a Funeral\" (1994), which was a huge commercial success and helped to establish the company as a major player in the Hollywood film industry.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInnovation and Adaptation:\u003c\/strong\u003e\u003cbr\u003eThroughout its history, Working Title Films has been known for its innovative approach to filmmaking. The company has been at the forefront of the digital filmmaking revolution, producing a number of award-winning films that have been shot entirely on digital cameras. 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The company has helped to establish a strong reputation for British filmmaking, producing films that are known for their quality, creativity, and social relevance. Working Title Films has also been a champion of British talent, producing films that showcase the skills of British actors, directors, and writers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConclusion:\u003c\/strong\u003e\u003cbr\u003eWorking Title Films is a remarkable film production company that has made a significant impact on the British and Hollywood film industries. From its humble beginnings in London to its position as a global powerhouse, the company has evolved in a way that is both remarkable and inspiring. By situating its history within the ever-changing landscape of the British and Hollywood film industries, the author has provided a comprehensive and insightful analysis of the factors that have contributed to its success. 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Its construction began in 1220 and continued for several centuries, resulting in a stunning architectural masterpiece that has withstood the test of time. The cathedral's artistic production in the Gothic mode extended well into the sixteenth century, showcasing the exquisite craftsmanship and attention to detail that characterized this architectural style. In his captivating chronicle, Stephen Murray invites readers to view the cathedral not as a relic of the past but as a living document of medieval Christian society. Through the overlapping perspectives of various social groups, including layfolk, clergy, and artisans, Murray explores the intricate interactions and relationships that have shaped the cathedral over the centuries. He delves into the cycles of human activity surrounding the cathedral, highlighting how groups of makers and users have collaborated and sometimes conflicted with each other. The book takes readers on a journey through the spaces of Notre-Dame, allowing them to re-create similar passages by their medieval predecessors. Murray reveals the many worlds within the cathedral, showcasing its architectural triumphs and the profound religious significance it holds. A beautifully illustrated account, the book offers readers a memorable tour of Notre-Dame of Amiens, celebrating its eight hundredth anniversary. \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eNotre-Dame of Amiens is further enriched by high-resolution images, liturgical music, and animations embedded in an innovative website. This digital platform provides a comprehensive and immersive experience, allowing readers to explore the cathedral's intricate details and learn about its rich history and cultural significance. Whether you are an architecture enthusiast, a history buff, or simply someone seeking a captivating journey into the past, Notre-Dame of Amiens is a must-read that will leave you in awe of its beauty and significance.\u003c\/p\u003e\u003cp\u003e\n \u003cstrong\u003eWeight\u003c\/strong\u003e: 846g\n \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 168 x 241 x 35 (mm)\n \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9780231195768\n \n \u003c\/p\u003e","brand":"StephenMurray","offers":[{"title":"Hardback","offer_id":44095544459514,"sku":"9780231195768","price":30.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/1b9246b210e8c18d29fc9c406112586d.jpg?v=1620995738"}],"url":"https:\/\/shulphink.com\/collections\/film-and-film-making-books.oembed?page=12","provider":"Shulph Ink","version":"1.0","type":"link"}