{"product_id":"art-and-objects","title":"Art and Objects","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eAesthetics is the central discipline of philosophy, according to the founder of object-oriented ontology, and must communicate indirectly or elliptically. This rereads key debates in aesthetic theory and views art history differently, rejecting formalist criticism and embracing the innate theatricality and deep multiplicity of every artwork. It also invites a new periodization of modern philosophy. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 240 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 04 October 2019\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: Polity Press\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003e\u003cbr\u003eIn this groundbreaking book, the visionary founder of object-oriented ontology presents a compelling argument that aesthetics holds the key to unlocking the mysteries of philosophy. While science seeks to understand objects through their observable characteristics, philosophy and art face a unique challenge as they lack direct access to their subjects. As a result, these disciplines are compelled to communicate indirectly, allusively, or elliptically, deviating from the clear propositional terms often mistakenly regarded as the sole essence of genuine philosophy.\u003cbr\u003e\u003cbr\u003eBy reimagining philosophy and art in this light, we gain a fresh perspective on crucial debates within aesthetic theory. The formalist criticism of Greenberg and Fried, which dismisses the inherent theatricality and profound multiplicity of every artwork, is rejected in favor of a more holistic approach. This rejection has far-reaching consequences for art criticism, elevating the significance of pictorial content while simultaneously loosening its tight association with the social realm. It also impacts art history, granting greater importance to figures such as the surrealists, David, and Poussin. Moreover, the close relationship between aesthetics and ontology opens up a new era of modern philosophy, challenging the traditional focus on Kant's thing-in-itself and heralding a heightened sense of philosophical immanence.\u003cbr\u003e\u003cbr\u003eThis profound and thought-provoking work will captivate students and scholars of philosophy, aesthetics, art history, and cultural theory alike. It offers a wealth of insights and perspectives that will deepen our understanding of the world and inspire new ways of thinking and perceiving.\u003c\/p\u003e\u003cp\u003e                            \u003cstrong\u003eWeight\u003c\/strong\u003e: 328g                            \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 152 x 229 x 13 (mm)                            \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781509512683                                                      \u003c\/p\u003e","brand":"Graham Harman","offers":[{"title":"Paperback \/ softback","offer_id":44106044375290,"sku":"9781509512683","price":16.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/7d0cb2b84cd2b94263f78d75f850abdc.jpg?v=1624757091","url":"https:\/\/shulphink.com\/products\/art-and-objects","provider":"Shulph Ink","version":"1.0","type":"link"}