{"product_id":"audiovisual-and-digital-ethnography-a-practical-and-theoretical-guide-9780367676995","title":"Audiovisual and Digital Ethnography: A Practical and Theoretical Guide","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eAudiovisual and Digital Ethnography is a comprehensive guide to the field, covering topics such as sensory attention, mediation of the senses, observational filmmaking, ethnographic drawing, multimodal anthropology, digital ethnography, interactive documentary, and the ethics and management of audiovisual and digital data. It is essential for students and scholars in Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice, and Sound Studies. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 218 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 30 November 2021\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Taylor \u0026amp; Francis Ltd\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003eAudiovisual and Digital Ethnography: A Comprehensive Introduction\u003cbr\u003eAudiovisual and Digital Ethnography is a groundbreaking and comprehensive introduction to this dynamic and rapidly evolving field. Written by experts in the field, the book provides a clear and systematic explanation of the fundamental aspects of audiovisual and digital ethnography, covering topics such as learning to see and listen in the field, the role of sensory attention, the mediation of the senses, anthropological fieldwork with video, observational filmmaking, ethnographic drawing, multimodal anthropology, digital ethnography, interactive documentary, and the ethics and management of audiovisual and digital data.\u003cbr\u003e\u003cbr\u003eThe book is divided into several chapters, each focusing on a specific aspect of audiovisual and digital ethnography. The first chapter, \"Learning to See and Listen in the Field,\" provides an overview of the sensory skills required for effective fieldwork, including visual perception, auditory perception, and sensory attention. The authors explain how these skills can be developed and applied in the field, and how they can contribute to the understanding of cultural practices and social interactions.\u003cbr\u003e\u003cbr\u003eThe second chapter, \"The Mediation of the Senses,\" explores the ways in which the senses are mediated in the digital age. The authors discuss the impact of digital technologies on sensory experience, including the ways in which they can enhance or distort our perception of the world. They also discuss the ethical implications of these technologies, particularly in relation to the collection and use of audiovisual and digital data.\u003cbr\u003e\u003cbr\u003eThe third chapter, \"Anthropological Fieldwork with Video,\" provides a detailed overview of the use of video in anthropological fieldwork. The authors discuss the advantages and disadvantages of using video, and how it can be used to capture and analyze cultural practices and social interactions. They also provide examples of successful video-based ethnographic projects and discuss the ethical considerations involved in using video in research.\u003cbr\u003e\u003cbr\u003eThe fourth chapter, \"Observational Filmmaking,\" explores the use of observational filmmaking in ethnographic research. The authors discuss the advantages and disadvantages of observational filmmaking, and how it can be used to capture and analyze social interactions and cultural practices. They also provide examples of successful observational filmmaking projects and discuss the ethical considerations involved in using film in research.\u003cbr\u003e\u003cbr\u003eThe fifth chapter, \"Ethnographic Drawing,\" explores the use of ethnographic drawing in ethnographic research. The authors discuss the advantages and disadvantages of using ethnographic drawing, and how it can be used to capture and analyze cultural practices and social interactions. They also provide examples of successful ethnographic drawing projects and discuss the ethical considerations involved in using drawing in research.\u003cbr\u003e\u003cbr\u003eThe sixth chapter, \"Multimodal Anthropology,\" explores the use of multiple modes of communication in ethnographic research. The authors discuss the advantages and disadvantages of using multiple modes of communication, and how they can be used to capture and analyze cultural practices and social interactions. They also provide examples of successful multimodal ethnographic projects and discuss the ethical considerations involved in using multiple modes of communication in research.\u003cbr\u003e\u003cbr\u003eThe seventh chapter, \"Digital Ethnography,\" explores the use of digital technologies in ethnographic research. The authors discuss the advantages and disadvantages of using digital technologies, and how they can be used to capture and analyze cultural practices and social interactions. They also provide examples of successful digital ethnographic projects and discuss the ethical considerations involved in using digital technologies in research.\u003cbr\u003e\u003cbr\u003eThe eighth chapter, \"Interactive Documentary,\" explores the use of interactive documentary in ethnographic research. The authors discuss the advantages and disadvantages of using interactive documentary, and how it can be used to engage with audiences and promote social change. They also provide examples of successful interactive documentary projects and discuss the ethical considerations involved in using interactive documentary in research.\u003cbr\u003e\u003cbr\u003eThe ninth chapter, \"The Ethics and Management of Audiovisual and Digital Data,\" explores the ethical and management issues involved in the collection and use of audiovisual and digital data. The authors discuss the importance of obtaining informed consent, protecting the privacy of participants, and ensuring the ethical use of data. They also provide examples of ethical and management practices in ethnographic research.\u003cbr\u003e\u003cbr\u003eThe book is written in a clear and accessible style, making it accessible to students and scholars in a wide range of fields. The chapters are well-organized and provide a comprehensive overview of the fundamental aspects of audiovisual and digital ethnography. The book also includes a number of case studies and examples, which help to illustrate the practical applications of the concepts discussed.\u003cbr\u003e\u003cbr\u003eOne of the strengths of the book is its emphasis on the ethical and management issues involved in the collection and use of audiovisual and digital data. The authors recognize that the use of these technologies can raise a number of ethical and social concerns, and they provide a comprehensive overview of the ethical and management practices that can be used to address these issues. This is particularly important in the context of ethnographic research, where the participants may be vulnerable or marginalized.\u003cbr\u003e\u003cbr\u003eAnother strength of the book is its emphasis on the use of multiple modes of communication in ethnographic research. The authors recognize that different modes of communication can provide different insights into cultural practices and social interactions, and they provide a comprehensive overview of the different modes of communication that can be used in ethnographic research. This is particularly important in the context of globalized societies, where different cultures and languages are increasingly interacting.\u003cbr\u003e\u003cbr\u003eHowever, there are also some limitations to the book. One of the limitations is its focus on the Western world. While the book does include examples of ethnographic research in other parts of the world, it does not provide a comprehensive overview of the diverse range of ethnographic practices and traditions that exist around the world. This is a significant limitation, as it means that the book may not be as useful for students and scholars from non-Western backgrounds.\u003cbr\u003e\u003cbr\u003eAnother limitation is the book's reliance on digital technologies. While digital technologies have revolutionized the field of ethnography, they also have a number of limitations. For example, digital technologies can be expensive, and they can be difficult to access in some parts of the world. This can limit the ability of researchers to collect and analyze data, particularly in remote or marginalized communities.\u003cbr\u003e\u003cbr\u003eDespite these limitations, Audiovisual and Digital Ethnography is a valuable resource for students and scholars in a wide range of fields. The book provides a clear and systematic explanation of the fundamental aspects of audiovisual and digital ethnography, and it includes a number of case studies and examples that help to illustrate the practical applications of the concepts discussed. The book also emphasizes the ethical and management issues involved in the collection and use of audiovisual and digital data, and it provides a comprehensive overview of the different modes of communication that can be used in ethnographic research.\u003cbr\u003e\u003cbr\u003eIn conclusion, Audiovisual and Digital Ethnography is a groundbreaking and comprehensive introduction to this dynamic and rapidly evolving field. Written by experts in the field, the book provides a clear and systematic explanation of the fundamental aspects of audiovisual and digital ethnography, covering topics such as learning to see and listen in the field, the role of sensory attention, the mediation of the senses, anthropological fieldwork with video, observational filmmaking, ethnographic drawing, multimodal anthropology, digital ethnography, interactive documentary, and the ethics and management of audiovisual and digital data. The book is divided into several chapters, each focusing on a specific aspect of audiovisual and digital ethnography, and it includes a number of case studies and examples that help to illustrate the practical applications of the concepts discussed. While there are some limitations to the book, it is a valuable resource for students and scholars in a wide range of fields.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 362g\u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 156 x 234 x 18 (mm)\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9780367676995\u003c\/p\u003e","brand":"Cristina Grasseni,Bart Barendregt,Erik de Maaker,Federico De Musso,Andrew Littlejohn,Marianne Maeckelbergh,Metje Postma,Mark R. Westmoreland","offers":[{"title":"Paperback \/ softback","offer_id":44103876444410,"sku":"9780367676995","price":39.02,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/1646301289926_book.jpg?v=1646943264","url":"https:\/\/shulphink.com\/products\/audiovisual-and-digital-ethnography-a-practical-and-theoretical-guide-9780367676995","provider":"Shulph Ink","version":"1.0","type":"link"}