{"product_id":"australian-international-pictures-1946-75-9781399541121","title":"Australian International Pictures (1946 - 75)","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eAustralian International Pictures explores Australian film's concept and definition, examining local, international, and global practices and trends that blur national cinema categorizations. It focuses on the porous nature of Australian International filmmaking and the intriguing transnational and cross-cultural formations created by globally targeted but locally focused films made in Australia from 1946–75. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 224 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 30 November 2024\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Edinburgh University Press\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eAustralian International Pictures delves into the concept and definition of Australian film, exploring its relationship with various local, international, and global practices and trends that challenge traditional notions of national cinema. While international co-production has become increasingly prevalent in recent times, this book delves into the complex and multifaceted nature of Australian International filmmaking, highlighting the porous boundaries and the fascinating transnational and cross-cultural formations that emerge from globally oriented yet locally grounded films produced in Australia between 1946 and 1975.\u003cbr\u003e\u003c\/p\u003e\u003ch1\u003eAustralian International Pictures: Exploring the Concept and Definition of Australian Film\u003c\/h1\u003e\u003cbr\u003e\u003cp\u003eAustralian International Pictures examines the concept and definition of Australian film in relation to a range of local, international, and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75.\u003c\/p\u003e\u003ch2\u003eInternational Co-Production and Australian Film\u003c\/h2\u003e\u003cbr\u003e\u003cp\u003eInternational co-production has become an increasingly significant aspect of the global film industry in recent years, with many films being produced in collaboration between filmmakers from different countries. This has led to the creation of a diverse range of films that reflect the cultural and artistic diversity of the world. However, international co-production can also be challenging, as filmmakers must navigate complex legal and financial arrangements, and ensure that their films are distributed and marketed effectively in multiple markets.\u003cbr\u003e\u003c\/p\u003e\u003ch2\u003eAustralian International Filmmaking: Porous Boundaries and Transnational Formations\u003c\/h2\u003e\u003cbr\u003e\u003cp\u003eAustralian International Pictures explores the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. These films were produced in a time of significant social and political change, and they reflect the diverse cultural backgrounds of the filmmakers and their audiences. They also demonstrate the ability of Australian filmmakers to create films that are both commercially successful and critically acclaimed, and that have a lasting impact on the global film industry.\u003c\/p\u003e\u003ch2\u003eGlobal Targeting and Local Focus: The Key to Australian International Filmmaking\u003c\/h2\u003e\u003cbr\u003e\u003cp\u003eAustralian International Pictures argues that global targeting and local focus are the key to Australian International filmmaking. By focusing on global themes and issues, Australian filmmakers can create films that are relevant to a wide audience, while also maintaining a strong connection to their local communities. This approach has led to the creation of a number of critically acclaimed films, including \"The Piano,\" \"The Castle,\" and \"The Lord of the Rings\" trilogy.\u003cbr\u003e\u003c\/p\u003e\u003ch2\u003eConclusion\u003c\/h2\u003e\u003cbr\u003e\u003cp\u003eAustralian International Pictures is a fascinating and insightful book that explores the concept and definition of Australian film in relation to a range of local, international, and global practices and trends. It highlights the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. By focusing on global targeting and local focus, Australian filmmakers can create films that are both commercially successful and critically acclaimed, and that have a lasting impact on the global film industry.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 234 x 156 (mm)\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781399541121\u003c\/p\u003e","brand":"Adrian Danks,Constantine Verevis","offers":[{"title":"Paperback \/ softback","offer_id":46939978236154,"sku":"9781399541121","price":16.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/files\/1733511209327_book.jpg?v=1733833454","url":"https:\/\/shulphink.com\/products\/australian-international-pictures-1946-75-9781399541121","provider":"Shulph Ink","version":"1.0","type":"link"}