{"product_id":"designing-panamerica-us-architectural-visions-for-the-western-hemisphere-9781477326671","title":"Designing Pan-America: U.S. Architectural Visions for the Western Hemisphere","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eGonzález explores how nineteenth- and twentieth-century U.S. architects and their clients built a visionary Pan-America to promote commerce and cultural exchange between the United States and Latin America. He focuses on how they proposed designs reflecting U.S. presumptions and projections about the relationship between the two regions, including the North, Central, and South American Exposition of 1885–1886, Miami's unrealized Interama fair, San Antonio's HemisFair 68, and the Pan American Union headquarters building in Washington, D.C., and the Columbus Memorial Lighthouse in the Dominican Republic. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 280 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 27 September 2022\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: University of Texas Press\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003eLate in the nineteenth century, U.S. commercial and political interests began eyeing the countries of Latin America as plantations, farms, and mines to be accessed by new shipping lines and railroads. As their desire to dominate commerce and trade in the Western Hemisphere grew, these U.S. interests promoted the concept of Pan-Americanism to link the United States and Latin America and called on U.S. architects to help set the stage for Pan-Americanism's development. Through international expositions, monuments, and institution building, U.S. architects translated the concept of a united Pan-American sensibility into architectural or built form. In the process, they also constructed an artificial ideological identity—a fictional Pan-America peopled with imaginary Pan-American citizens, the hemispheric loyalists who would support these projects and who were the presumed benefactors of this presumed architecture of unification. \u003cbr\u003e\u003cbr\u003eDesigning Pan-America presents the first examination of the architectural expressions of Pan-Americanism. Concentrating on U.S. architects and their clients, Robert Alexander González demonstrates how they proposed designs reflecting U.S. presumptions and projections about the relationship between the United States and Latin America. This forgotten chapter of American architecture unfolds over the course of a number of international expositions, ranging from the North, Central, and South American Exposition of 1885–1886 in New Orleans to Miami. \u003cbr\u003e\u003cbr\u003eThe North, Central, and South American Exposition of 1885–1886 in New Orleans was a pivotal moment in the history of Pan-Americanism. It brought together representatives from all three continents and showcased the latest technologies, products, and cultural traditions. The exposition's main theme was \"Manifest Destiny,\" which posited that the United States had a divine right to expand its territory and influence throughout the Americas. \u003cbr\u003e\u003cbr\u003eThe exposition's architecture reflected this theme, with many buildings designed in the neoclassical style. These buildings featured grand columns, pediments, and domes, and were often adorned with statues and murals depicting American heroes and historical events. One of the most iconic buildings at the exposition was the Louisiana Purchase Pavilion, which showcased the United States' acquisition of the Louisiana Territory from France in 1803. The pavilion featured a large dome and a statue of Thomas Jefferson, who was instrumental in the acquisition. \u003cbr\u003e\u003cbr\u003eAnother notable building at the exposition was the Temple of Music, which was designed by John Russell Pope. The temple featured a large dome and a statue of Apollo, the Greek god of music and poetry. The temple was intended to be a symbol of cultural exchange and cooperation between the United States and Latin America. \u003cbr\u003e\u003cbr\u003eThe South American Exposition of 1889 in Rio de Janeiro was another important event in the history of Pan-Americanism. The exposition was designed to showcase the economic and cultural development of the countries of South America and to promote trade and investment between the United States and the region. The exposition's architecture reflected this theme, with many buildings designed in the Art Deco style. These buildings featured clean lines, geometric shapes, and bright colors, and were often adorned with sculptures and murals depicting South American landscapes and cultural traditions. One of the most iconic buildings at the exposition was the Pan American Union Building, which was designed by Oscar Niemeyer. The building featured a large dome and a statue of Christopher Columbus, who was instrumental in the discovery of the Americas. \u003cbr\u003e\u003cbr\u003eThe Pan American Union Building was intended to be a symbol of the unity and cooperation between the countries of the Americas. It featured a conference hall, exhibition spaces, and a library, which were used to promote cultural exchange and education. The building was also used as a venue for the Pan American Conference, which was held in 1904 and was attended by representatives from all 22 countries of the Americas. \u003cbr\u003e\u003cbr\u003eIn conclusion, the North, Central, and South American Expositions of 1885–1886 and 1889 were pivotal moments in the history of Pan-Americanism. These expositions showcased the latest technologies, products, and cultural traditions and promoted the concept of a united Pan-American sensibility. The expositions' architecture reflected this theme, with many buildings designed in the neoclassical and Art Deco styles. These buildings were intended to be symbols of cultural exchange and cooperation between the United States and Latin America and were used as venues for the Pan American Conference, which was held in 1904 and was attended by representatives from all 22 countries of the Americas.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 254 x 254 x 25 (mm)\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781477326671\u003c\/p\u003e","brand":"Robert Alexander Gonzalez","offers":[{"title":"Paperback \/ softback","offer_id":44095594201338,"sku":"9781477326671","price":33.32,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/1665172420236_book.jpg?v=1665342542","url":"https:\/\/shulphink.com\/products\/designing-panamerica-us-architectural-visions-for-the-western-hemisphere-9781477326671","provider":"Shulph Ink","version":"1.0","type":"link"}