{"product_id":"encounters-in-video-art-in-latin-america-9781606067918","title":"Encounters in Video Art in Latin America","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eThis book explores how artists in Latin America have experimented with video since the 1960s, focusing on its empowering potential and its connection to social change. It examines the history and current state of artistic experimentation with video across different regions and themes, encouraging readers to consider the medium's role in shaping Latin American art. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 288 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 18 April 2023\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Getty Trust Publications\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003eThe advent of video art in Latin America has been a multifaceted and dynamic journey, marked by numerous points of development across more than a dozen artistic centers over a span of more than twenty-five years. When video was first introduced during the 1960s, it was seen as a powerful tool for artistic expression, offering the portability of early equipment and the possibility of instant playback. This allowed artists to challenge and, at times, subvert the dominant media narratives.\u003cbr\u003e\u003cbr\u003eVideo art in Latin America has always been closely intertwined with the pursuit of social change. Themes related to gender, ethnic, and racial identity, as well as the consequences of social inequality and ecological disasters, have been central to the practices of many artists. This compendium aims to explore the history and current state of artistic experimentation with video throughout Latin America, departing from the relatively limited body of existing scholarship in English, which often focuses on individual countries. Instead, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other.\u003cbr\u003e\u003cbr\u003eThe book is organized into four broad sections: Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives. Each section offers insightful essays and interviews that encourage readers to examine the medium of video across varied chronologies and geographies.\u003cbr\u003e\u003cbr\u003eIn the Encounters section, the book explores the early encounters between video art and Latin American artists. It examines how artists in the region were influenced by the technological advancements of the time and how they used video to document their experiences and perspectives. The section also highlights the role of video in the emergence of new artistic movements and genres, such as the video essay and the experimental documentary.\u003cbr\u003e\u003cbr\u003eThe Networks and Archives section delves into the role of networks and archives in the development of video art in Latin America. It explores how artists have used these resources to create collaborative projects, share their work with a broader audience, and preserve their artistic legacy. The section also highlights the importance of digital technologies in the preservation and dissemination of video art, particularly in the context of the COVID-19 pandemic.\u003cbr\u003e\u003cbr\u003eThe Memory and Crisis section examines the ways in which video art has been used to address historical and contemporary crises in Latin America. It explores how artists have used video to document social movements, political unrest, and natural disasters, and how they have used these works to raise awareness and promote social change. The section also highlights the role of video art in challenging dominant narratives and promoting alternative perspectives.\u003cbr\u003e\u003cbr\u003eThe Indigenous Perspectives section focuses on the ways in which video art has been used to represent and promote the voices and experiences of Indigenous communities in Latin America. It explores how artists have used video to document traditional practices, cultural heritage, and the ongoing struggles for land and justice. The section also highlights the importance of decolonization and the recognition of Indigenous rights in the development of video art in Latin America.\u003cbr\u003e\u003cbr\u003eIn conclusion, The Emergence of Video Art in Latin America is a comprehensive and insightful exploration of the history and current state of artistic experimentation with video throughout Latin America. Through its essays and interviews, the book encourages readers to examine the medium of video across varied chronologies and geographies, promoting a deeper understanding of the complex and diverse artistic landscape of the region.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781606067918\u003c\/p\u003e","brand":"Elena Shtromberg,Glenn Phillips","offers":[{"title":"Paperback \/ softback","offer_id":44767390728442,"sku":"9781606067918","price":52.36,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/1699630999037_book.jpg?v=1699892437","url":"https:\/\/shulphink.com\/products\/encounters-in-video-art-in-latin-america-9781606067918","provider":"Shulph Ink","version":"1.0","type":"link"}