{"product_id":"four-shakespearean-period-pieces-1","title":"Four Shakespearean Period Pieces","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eShakespeare's place in history has been traditionally defined by four key concepts: chronology, periodization, secularization, and anachronism. Recent theoretical work has challenged these concepts and proposed anachronisms as alternatives to the traditional order of time. At the same time, chronology and periods are criticized for distorting the past they represent, and secularization no longer holds the same influence over the past and present. Shakespearean Period Pieces examines these concepts and their impact on the reading, editing, and staging of Shakespeare, suggesting that while they may be fraught, they continue to regulate the canon's afterlife. \u003c\/blockquote\u003e\u003cp\u003e                                                            \u003cstrong\u003eFormat\u003c\/strong\u003e: Paperback \/ softback\u003cbr\u003e                              \u003cstrong\u003eLength\u003c\/strong\u003e: 224 pages\u003cbr\u003e                              \u003cstrong\u003ePublication date\u003c\/strong\u003e: 14 May 2021\u003cbr\u003e                              \u003cstrong\u003ePublisher\u003c\/strong\u003e: The University of Chicago Press\u003cbr\u003e                          \u003c\/p\u003e \u003cp\u003eIn the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism.\u003cbr\u003e\u003cbr\u003e Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present.\u003cbr\u003e\u003cbr\u003e In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question\u003ci\u003e Four Shakespearean Period Pieces \u003c\/i\u003etakes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays “in period,” and the use of Shakespeare in modernity’s secularizing project.\u003cbr\u003e\u003cbr\u003e To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon’s afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon. \u003c\/p\u003e\u003cp\u003e                            \u003cstrong\u003eWeight\u003c\/strong\u003e: 330g                            \u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 139 x 215 x 16 (mm)                            \u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9780226785226                                                      \u003c\/p\u003e","brand":"Margreta de Grazia","offers":[{"title":"Paperback \/ softback","offer_id":44095394185466,"sku":"9780226785226","price":22.85,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/9f64a19f6d0343a09f69e81867548f15.jpg?v=1632968669","url":"https:\/\/shulphink.com\/products\/four-shakespearean-period-pieces-1","provider":"Shulph Ink","version":"1.0","type":"link"}