Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics

This book explores the common ground between Chinese and Western literature and aesthetics, arguing that despite linguistic and cultural differences, the two traditions share critical theory, aesthetic thought, metaphysical conception, and reasoning. It demonstrates how the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons through a two-way dialogue.

Format: Paperback / softback
Length: 369 pages
Publication date: 08 July 2022
Publisher: Springer Nature Switzerland AG

This book delves into a profound exploration of dichotomies in comparative studies of Chinese and Western literature and aesthetics. Challenging the prevailing oppositional paradigm, Ming Dong Gu posits that despite linguistic and cultural disparities, there exists a significant common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Through a comprehensive analysis, Gu showcases how the two traditions have cultivated similar aesthetic sentiments and critical ideas, enabling them to merge and expand the boundaries of critical and aesthetic inquiry.

The book adopts a two-way dialogue approach, encompassing a wide range of critical discourses and unraveling fascinating connections among a diverse array of thinkers, theorists, scholars, and aestheticians. By fostering a dialogue between these diverse perspectives, the book makes a substantial contribution to bridging the aesthetic divide and envisioning a world theory and global aesthetics that transcend geographical and cultural boundaries.

In the opening chapter, Gu reflects on the historical and cultural contexts that have shaped the development of Chinese and Western literature and aesthetics. He highlights the contrasting perspectives and approaches adopted by these two traditions, emphasizing their unique strengths and weaknesses. Gu argues that despite these differences, there is a shared underlying quest for understanding the nature of reality, the human condition, and the pursuit of beauty.

The subsequent chapters delve into various aspects of critical theory, aesthetic thought, and metaphysical conception. Gu examines how language, writing, and linguistics play a crucial role in shaping artistic expression and critical discourse. He explores the rich tapestry of metaphor, metonymy, and poetics, highlighting their ability to convey complex ideas and evoke profound emotional responses. Gu also examines the concept of mimesis and representation, exploring how artists create realistic or abstract representations of the world and the self.

In the chapters on lyricism, expressionism, creativity, and aesthetics, Gu delves into the unique modes of artistic expression found in Chinese and Western literature and aesthetics. He explores how lyricism, expressionism, and creativity are intertwined, fostering a profound connection between the artist and the audience. Gu also examines the role of aesthetics in shaping cultural values and identity, highlighting the ways in which different aesthetic traditions contribute to the development of global aesthetics.

Throughout the book, Gu employs a rigorous analytical approach, drawing upon a wealth of scholarly literature and cultural insights. He weaves together a rich tapestry of ideas, presenting them in a clear and accessible manner. Gu's writing is characterized by a deep appreciation for the beauty and complexity of artistic expression, and his insights offer valuable perspectives on the interconnections between critical theory, aesthetic thought, and metaphysical conception.

In conclusion, this book is a groundbreaking exploration of dichotomies in comparative studies of Chinese and Western literature and aesthetics. By challenging the oppositional paradigm and fostering a dialogue between diverse perspectives, it contributes to bridging the aesthetic divide and envisioning a world theory and global aesthetics that transcend geographical and cultural boundaries. Ming Dong Gu's writing is characterized by a deep appreciation for the beauty and complexity of artistic expression, and his insights offer valuable perspectives on the interconnections between critical theory, aesthetic thought, and metaphysical conception. This book is a must-read for scholars, students, and anyone interested in exploring the rich tapestry of artistic expression and critical inquiry.

Weight: 501g
Dimension: 210 x 148 (mm)
ISBN-13: 9783030737320
Edition number: 1st ed. 2021