{"product_id":"shakespeare-and-cultural-appropriation-9781032303086","title":"Shakespeare and Cultural Appropriation","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003eShakespeare and Cultural Appropriation challenges the idea that appropriation can only be theft or gift and proposes that it is a spectrum evolving between exploitation and appreciation. It offers a foundation for interrogating power structures, cultural ownership, and identity in Shakespeare appropriation studies and reorienting inquiries into adaptation and appropriation. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 240 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 24 March 2023\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Taylor \u0026amp; Francis Ltd\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003eShakespeare and Cultural Appropriation challenges two interconnected binaries: the notion that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation.\u003cbr\u003e\u003cbr\u003eThis collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare's imbrication within those networks of power and influence.\u003cbr\u003e\u003cbr\u003eThroughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare adaptation and appropriation studies.\u003cbr\u003e\u003cbr\u003eThis collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies, and adaptation studies.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 644g\u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 229 x 152 (mm)\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9781032303086\u003c\/p\u003e","brand":"Shulph Ink","offers":[{"title":"Hardback","offer_id":44235833147642,"sku":"9781032303086","price":128.52,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/noImage_1_3e0dd670-7b04-4df9-8cd3-978eb814ddb4.jpg?v=1684162101","url":"https:\/\/shulphink.com\/products\/shakespeare-and-cultural-appropriation-9781032303086","provider":"Shulph Ink","version":"1.0","type":"link"}