{"product_id":"the-cromer-collection-of-nineteenthcentury-french-photography-9780300264272","title":"The Cromer Collection of Nineteenth-Century French Photography","description":"\u003cp\u003e\u003c\/p\u003e\u003cblockquote\u003e\n\u003cbr\u003eGabriel Cromer's collection of nineteenth-century French photographs, equipment, and ephemera is a cornerstone of the George Eastman Museum. This book explores the collection's origin, circulation, and influence on photography as a field of study. \u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Hardback\u003cbr\u003e\u003cstrong\u003eLength\u003c\/strong\u003e: 328 pages\u003cbr\u003e\u003cstrong\u003ePublication date\u003c\/strong\u003e: 19 April 2022\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Yale University Press\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003e\u003cbr\u003eThe Cromer Collection of Nineteenth-Century French Photography is a remarkable and pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which forms a cornerstone of the George Eastman Museum. Gabriel Cromer, a Parisian photographer, amateur historian, and collector, began assembling this collection in the early twentieth century with the dream of establishing a national museum of the photographic arts in France. Although his ambition was never realized, his collection played a crucial role in establishing the world's first museum dedicated to photography, the George Eastman Museum.\u003cbr\u003e\u003cbr\u003eThe Cromer Collection offers a deep dive into the history of photography, tracing its prehistory, invention, and development up to around 1890. It encompasses a wide range of photographs, from early daguerreotypes to contemporary prints, as well as cameras, lenses, and other photographic equipment. The collection also includes a significant number of ephemera, such as advertising brochures, trade cards, and studio portraits, which provide valuable insights into the social and cultural context of nineteenth-century photography.\u003cbr\u003e\u003cbr\u003eThe collection's origin and circulation are of particular interest. Cromer began collecting photographs as a young man and amassed a vast collection through his travels and contacts in the photographic industry. He eventually donated his collection to the University of Rochester, where it remained until 1949 when it was acquired by the George Eastman Museum. The collection's journey across markets, borders, and functions highlights the global nature of photography and its role in shaping artistic and cultural practices.\u003cbr\u003e\u003cbr\u003eThe six essays in the book explore the Cromer Collection's complex passage across markets, borders, and functions. Written by French and American scholars, these essays provide a scholarly study of the foundational resource. The essays examine the collection's historical significance, its artistic and technical qualities, and its impact on photography as a field of study. They also explore the ways in which curators and scholars have drawn extensively on the collection for exhibitions and publications, highlighting its continued relevance and value.\u003cbr\u003e\u003cbr\u003eThe George Eastman Museum is proud to publish this book in association with the museum. The book offers a valuable resource for researchers, curators, and enthusiasts alike, providing a comprehensive and insightful study of the Cromer Collection. It is a testament to the enduring legacy of Gabriel Cromer and his commitment to the preservation and promotion of photography as an art form.\u003cbr\u003e\u003cbr\u003eIn conclusion, the Cromer Collection of Nineteenth-Century French Photography is a remarkable and pioneering collection that has played a crucial role in the history of photography. Through its extensive collection of photographs, equipment, and ephemera, the collection offers a deep insight into the prehistory, invention, and development of photography. The book provides a scholarly study of the collection, highlighting its historical significance, artistic and technical qualities, and its impact on photography as a field of study. The George Eastman Museum is proud to publish this book in association with the museum, and it is a valuable resource for researchers, curators, and enthusiasts alike.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e: 28 x 24 (mm)\u003cbr\u003e\u003cstrong\u003eISBN-13\u003c\/strong\u003e: 9780300264272\u003c\/p\u003e","brand":"Shulph Ink","offers":[{"title":"Hardback","offer_id":44106260971770,"sku":"9780300264272","price":47.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0522\/4297\/2845\/products\/1651236121173_book.jpg?v=1651436858","url":"https:\/\/shulphink.com\/products\/the-cromer-collection-of-nineteenthcentury-french-photography-9780300264272","provider":"Shulph Ink","version":"1.0","type":"link"}