Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt

Theaters of Citizenship explores independent Egyptian performance practices from 2004 to 2014, demonstrating how young dramatists staged new narratives of citizenship outside of state institutions, exploring rights claims and enacting generational identity. It traces this avant-garde from the theater networks of the late Hosni Mubarak era to productions following the Egyptian revolution of 2011, conceptualizing performance culture as a school of citizenship.

Format: Hardback
Length: 182 pages
Publication date: 30 October 2020
Publisher: Northwestern University Press

Theaters of Citizenship delves into the vibrant realm of independent Egyptian performance practices, spanning from 2004 to 2014. Through a comprehensive exploration, the book showcases how young dramatists have creatively reimagined citizenship narratives, challenging the confines of state institutions. By employing historiography, ethnography, and performance analysis, the book traces the evolution of this avant-garde, from the theater networks of the late Hosni Mubarak era to the productions that emerged after the Egyptian revolution of 2011.

In contrast to the state theaters of Egypt, independent cultural institutions in 2004 offered spaces for more democratic forms of youth organization and cultural participation. Sonali Pahwa, in her insightful examination, delves into the intricate dynamics of identity formation within this infrastructure for new cultural production. Festivals, independent troupes, workshops, and manifesto movements emerged as powerful platforms for young artists to express themselves and shape their cultural landscape. Pahwa conceptualizes performance culture as a transformative school of citizenship, where institutional changes intertwine with innovative performance styles on stages and streets.

Independent theater served as a beacon of hope during times of despair, offering alternative visions for the nation's youth that were often overlooked by television and newspapers. Young dramatists used their performances to challenge the marginalization experienced by their generation in the neoliberal economy, media, and political institutions. They presented alternative narratives that resonated with their experiences and aspirations, advocating for a more inclusive and equitable society.

The significance of Pahwa's analysis extends beyond the fields of anthropology and performance studies. It holds great appeal to students of sociology and Egyptian history, providing valuable insights into the complex interplay between culture, politics, and social change. The book sheds light on the role of performance in shaping societal narratives and challenging dominant power structures, making it a valuable resource for scholars and enthusiasts alike.

In conclusion, Theaters of Citizenship is a groundbreaking work that offers a profound exploration of independent Egyptian performance practices. Through its meticulous research and insightful analysis, Pahwa demonstrates how young dramatists have used performance to redefine citizenship, challenge institutional norms, and inspire hope in times of despair. This book is a testament to the power of art and culture in shaping the future of societies, and it will undoubtedly continue to inspire and engage scholars and audiences for years to come.

Weight: 442g
Dimension: 160 x 236 x 20 (mm)
ISBN-13: 9780810141766