A Philosophical History of Documentary, 1895-1959

This book explores the ethical premises of documentaries through a chronology of thirty definitions between 1895 and 1959, arguing that each definition is an original premise and that the structured assemblage of all definitions depicts the true ethical nature of documentary.

Format: Paperback / softback
Length: 393 pages
Publication date: 17 September 2022
Publisher: Springer Nature Switzerland AG

This comprehensive book offers a meticulously curated chronology of thirty distinct definitions associated with the term "documentary" spanning from 1895 to 1959. It dedicates one chapter to each of these definitions, delving into their unique linguistic nuances with a close-up examination while also exploring their historical origins and concealed philosophical inspirations. At the core of Dan Geva's argument lies a two-fold assertion: firstly, that each definition represents an original ethical premise of documentary; and secondly, that the cohesive arrangement of the entire set of definitions accurately captures the true ethical essence of documentary, considering its philosophical history as a reflective object of thought in a perpetual state of self-definition—an ethics sui generis.

The book unfolds in a structured and organized manner, presenting each definition in a separate chapter. Within these chapters, Geva meticulously analyzes the linguistic intricacies of each definition, exploring the specific vocabulary and syntax employed to convey its meaning. He also delves into the historical context in which these definitions emerged, shedding light on the social, cultural, and intellectual influences that shaped their development. By examining the philosophical roots of documentary, Geva uncovers the underlying ethical principles that guide its creation and interpretation. He argues that each definition serves as a foundational ethical principle that informs the filmmaking process and shapes the narratives that documentaries convey.

Furthermore, Geva contends that the structured assemblage of the entire set of definitions is essential in fully comprehending the ethical nature of documentary. He suggests that by considering the definitions as a cohesive whole, one can gain a deeper understanding of the ethical dimensions that underpin the medium. The book explores the philosophical traditions, such as phenomenology, existentialism, and ethics, that have influenced the development of documentary as an art form. Geva highlights the ways in which these philosophical frameworks have shaped the ethical considerations and choices made by documentary filmmakers throughout history.

Through his meticulous analysis and thoughtful exploration, Geva offers a profound understanding of the ethical dimensions of documentary. He challenges readers to consider the ethical implications of their work in the field and encourages them to explore the rich philosophical heritage that underpins the documentary form. This book serves as a valuable resource for students, scholars, and filmmakers alike, providing a comprehensive and insightful chronology of the definitions attributed to the term "documentary" and offering a deeper exploration of its ethical foundations.

Weight: 531g
Dimension: 210 x 148 (mm)
ISBN-13: 9783030794682
Edition number: 1st ed. 2021