Acting and Performance in Moving Image Culture - Bodies, Screens, Renderings

This volume explores the art of acting and the human body in moving image forms, with a focus on theoretical approaches from philosophy, media theory, and cognitivist research. It includes classical case studies and essays on acting history and genres.

Format: Paperback / softback
Length: 488 pages
Publication date: 08 December 2021
Publisher: Transcript Verlag

This comprehensive volume explores the multifaceted realm of acting and performance in moving image forms, drawing upon a diverse array of expertise from dance, theatre, film, media, cultural studies, art history, and philosophy. By assembling 26 esteemed international scholars, the book delves into the intricate art of acting and the profound impact of the human body in analog and digital film, animation, and video art. While the volume includes classical case studies and essays that shed light on acting history and acting across genres, its primary focus lies in introducing a groundbreaking array of theoretical approaches. These cutting-edge perspectives span from continental and analytic philosophy to new media theory and cognitivist research, all of which critically interrogate the core conceptions of act and actor that underpin both popular and academic understandings of performance in the vibrant world of moving image culture.

The first chapter, titled "Introduction: Acting and Performance in Moving Image Forms," sets the stage for the exploration that follows. It provides a comprehensive overview of the volume's objectives, highlighting the significance of transdisciplinary approaches in understanding the complexities of acting and performance in the digital age. The chapter also introduces the key themes and questions that will be addressed throughout the book, emphasizing the importance of exploring the relationship between the human body, technology, and the moving image.

The subsequent chapters delve into various aspects of acting and performance in moving image forms. Chapter 2, "The Body as Medium in Moving Image Culture," explores the ways in which the human body is transformed and manipulated through digital technologies, animation, and video art. The chapter examines the ethical implications of these practices and the ways in which they challenge traditional notions of embodiment and identity. Chapter 3, "Acting and the Digital Image," examines the unique challenges and opportunities that digital technologies present for actors and performers. It explores the impact of digital editing, special effects, and virtual reality on the creative process and the ways in which these tools can be used to enhance or transform performance.

Chapter 4, "Performance and the Moving Image," explores the relationship between performance and the moving image from a historical and cultural perspective. The chapter examines the evolution of acting styles and techniques across different eras and genres, highlighting the ways in which the moving image has influenced and shaped performance practices. Chapter 5, "Acting and Genres," examines the specific challenges and opportunities that arise when actors navigate the diverse landscapes of different genres. The chapter explores the ways in which actors adapt their performances to different mediums, genres, and audiences, and the ways in which these adaptations shape the overall narrative and aesthetic of the moving image.

Chapter 6, "Theories of Acting and Performance in Moving Image Culture," delves into the theoretical frameworks that underpin the study of acting and performance in moving image forms. The chapter explores the contributions of various philosophers, theorists, and critics to the field, highlighting the ways in which they have challenged and expanded our understanding of the act. Chapter 7, "Case Studies in Acting and Performance in Moving Image Culture," presents a selection of case studies that illustrate the diverse applications of theoretical approaches and theoretical frameworks. The case studies cover a range of genres, including drama, comedy, horror, and science fiction, and explore the ways in which actors and performers
In conclusion, this volume offers a comprehensive and interdisciplinary exploration of the study of acting and performance in moving image forms. By bringing together
together a diverse range of expertise from various fields, the book formulates a rich tapestry of perspectives that shed light on the complex interplay of the human body, technology, and the moving image. Through its innovative theoretical approaches and case studies, the book provides valuable insights into the art of acting and the profound impact of the moving image on our understanding of performance and identity. It serves as a valuable resource for scholars, students, and practitioners alike the world over, contributing to the ongoing dialogue and debate about the future of acting and performance in the digital age.

Weight: 580g
Dimension: 226 x 137 x 35 (mm)
ISBN-13: 9783837616484