Aeroscopics: Media of the Bird's-Eye View

In 1900, Paris had no skyscrapers, no tourist helicopters, and no drones, but people could still enjoy aerial views from observation rides, paintings, and miniature models. Patrick Ellis' book "Aeroscopics" explores the forgotten media of the Balloon Era and after, offering new possibilities for the history of aerial vision.

Format: Hardback
Length: 192 pages
Publication date: 27 July 2021
Publisher: University of California Press

In the early 1900s, Paris was a city devoid of towering skyscrapers, tourist helicopters, and drones. However, even before aviation made aerial views more accessible, those seeking such vantages had a multitude of options available to them. They could enjoy the breathtaking panorama from an observation ride, marvel at a painting depicting the view from Notre-Dame, or even observe a miniature model city.

Aeroscopics, written by Patrick Ellis, is a captivating history of the view from above, presented from a unique perspective. This interdisciplinary study, extensively illustrated with rich visuals, draws upon extensive archival research to uncover the forgotten media of the Balloon Era and beyond. By resurrecting these neglected spectacles as "aeroscopics," Ellis opens up new avenues for exploring the history of aerial vision.

During the Balloon Era, from the late 18th century to the early 19th century, hot-air balloons became a popular means of transportation and recreation. They soared high above the city, offering passengers a breathtaking aerial perspective. As the technology advanced, balloonists began to experiment with capturing aerial images, using cameras and other equipment to document the landscape below.

One of the most notable examples of aeroscopics is the work of French balloonist Jean-François Pilâtre de Rozier. Pilâtre de Rozier was a pioneer in ballooning and aerial photography, and he made numerous trips around Paris, capturing stunning images of the city's architecture, landscapes, and people. His photographs were widely published and celebrated, and they helped to popularize the view from above.

In addition to balloon flights, there were other ways to enjoy aerial views of Paris. Observation rides were available at the top of the Eiffel Tower, offering visitors a panoramic view of the city. Paintings and drawings of the city's views were also popular, with artists such as Gustave Courbet and Honoré Daumier capturing the beauty of Paris from different angles.

Even after the Balloon Era, aeroscopics continued to be a popular form of entertainment. In the early 20th century, aerial photography became more accessible, with the invention of the airplane. Aerial photographers began to capture images of cities and landscapes from new perspectives, using cameras and other equipment to document the world from above.

One of the most famous examples of aerial photography is the work of French photographer Henri Cartier-Bresson. Cartier-Bresson was a master of street photography, but he also made significant contributions to aerial photography. He captured iconic images of Paris, such as the shot of the Notre-Dame Cathedral from the Seine River, which became a symbol of the city.

In conclusion, the history of the view from above is a fascinating and multifaceted journey. From the early days of hot-air balloons and observation rides to the modern era of aerial photography and drones, people have sought ways to capture and enjoy the breathtaking panorama of cities and landscapes. Aeroscopics, as presented by Patrick Ellis, offers a unique perspective on this history, highlighting the forgotten media and spectacles that have contributed to our understanding of aerial vision.

Dimension: 229 x 152 (mm)
ISBN-13: 9780520355484