Animal Worlds: Film, Philosophy and Time

Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life.

\n Format: Paperback / softback
\n Length: 232 pages
\n Publication date: 28 February 2021
\n Publisher: Edinburgh University Press
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Animal Worlds, a groundbreaking exploration of the intricate connections between cinematic time and animal life, delves into a recent wave of international art cinema. Providing a comprehensive and in-depth analysis, this book offers a fresh perspective on the ways in which animals are portrayed and interpreted within the cinematic realm.

In the opening chapter, the author establishes a theoretical framework for understanding the relationship between cinema and animal life. Drawing upon a range of philosophical and theoretical perspectives, including phenomenology, ecology, and animal studies, the author proposes that animals can be seen as both subjects and objects of cinematic representation. This dualistic approach allows for a nuanced exploration of the ways in which animals are portrayed, interpreted, and understood within the context of film.

The subsequent chapters delve into the specific ways in which animals are portrayed in international art cinema. The author examines a wide range of films, including documentaries, experimental works, and feature films, to explore the diverse ways in which animals are represented and interpreted. Through a close analysis of the visual, auditory, and narrative elements of these films, the author identifies patterns and trends in the ways in which animals are used to convey meaning and emotion.

One of the key themes that emerges from Animal Worlds is the notion of animal subjectivity. The author argues that animals possess their own unique perspectives, experiences, and emotions, and that these should be recognized and valued within the cinematic realm. This perspective challenges traditional human-centric narratives and encourages a more empathetic and inclusive understanding of animal life.

Another important theme explored in Animal Worlds is the role of animals in shaping human culture and identity. The author examines how animals are used as symbols, metaphors, and allegories in film to convey messages about power, beauty, nature, and human-animal relations. Through a close analysis of these themes, the author demonstrates how animals can be used to challenge and subvert dominant cultural narratives and promote a more nuanced and complex understanding of human-animal relations.

In conclusion, Animal Worlds offers a groundbreaking exploration of the complex relations between cinematic time and animal life. Through a comprehensive and interdisciplinary approach, the author provides a fresh perspective on the ways in which animals are portrayed and interpreted within the cinematic realm. This book is essential reading for anyone interested in film, animal studies, and the broader field of cultural studies, as it challenges traditional assumptions and promotes a more empathetic and inclusive understanding of animal life.

In the opening chapter, the author establishes a theoretical framework for understanding the relationship between cinema and animal life. Drawing upon a range of philosophical and theoretical perspectives, including phenomenology, ecology, and animal studies, the author proposes that animals can be seen as both subjects and objects of cinematic representation. This dualistic approach allows for a nuanced exploration of the ways in which animals are portrayed, interpreted, and understood within the context of film.

The subsequent chapters delve into the specific ways in which animals are portrayed in international art cinema. The author examines a wide range of films, including documentaries, experimental works, and feature films, to explore the diverse ways in which animals are represented and interpreted. Through a close analysis of the visual, auditory, and narrative elements of these films, the author identifies patterns and trends in the ways in which animals are used to convey meaning and emotion.

One of the key themes that emerges from Animal Worlds is the notion of animal subjectivity. The author argues that animals possess their own unique perspectives, experiences, and emotions, and that these should be recognized and valued within the cinematic realm. This perspective challenges traditional human-centric narratives and encourages a more empathetic and inclusive understanding of animal life.

Another important theme explored in Animal Worlds is the role of animals in shaping human culture and identity. The author examines how animals are used as symbols, metaphors, and allegories in film to convey messages about power, beauty, nature, and human-animal relations. Through a close analysis of these themes, the author demonstrates how animals can be used to challenge and subvert dominant cultural narratives and promote a more nuanced and complex understanding of human-animal relations.

In conclusion, Animal Worlds offers a groundbreaking exploration of the complex relations between cinematic time and animal life. Through a comprehensive and interdisciplinary approach, the author provides a fresh perspective on the ways in which animals are portrayed and interpreted within the cinematic realm. This book is essential reading for anyone interested in film, animal studies, and the broader field of cultural studies, as it challenges traditional assumptions and promotes a more empathetic and inclusive understanding of animal life.

\n Weight: 362g\n
Dimension: 154 x 233 x 17 (mm)\n
ISBN-13: 9781474446396\n \n