Art, Global Maoism and the Chinese Cultural Revolution

This book explores the global influence of Maoism on modern and contemporary art, featuring eighteen original essays and illustrations from established and emerging scholars. It demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement, addressing regions as diverse as Singapore, Madrid, Lima, and Maputo.

Format: Hardback
Length: 376 pages
Publication date: 15 November 2019
Publisher: Manchester University Press

This groundbreaking book is the first to delve into the far-reaching impact of Maoism on modern and contemporary art. Comprising eighteen original essays penned by esteemed and emerging scholars from diverse corners of the globe, and adorned with captivating images previously unseen in the West, the volume showcases the profound significance of visuality in unraveling the multifaceted nature of this global revolutionary movement. Contributions span regions as diverse as Singapore, Madrid, Lima, and Maputo, transcending stereotypes and misconceptions about Mao Zedong Thought's influence on art to present a comprehensive survey of the social and political contexts of this international phenomenon. Simultaneously, the book explores the similarities and differences between each case study, emphasizing the need for a more prominent recognition of global Maoism in the art histories of both the twentieth and twenty-first centuries.

Introduction:
The influence of Maoism on modern and contemporary art has been a subject of significant interest and study in recent years. This book aims to provide a comprehensive exploration of this phenomenon, drawing on a range of perspectives and methodologies.

Chapter 1:
In the first chapter, we examine the historical roots of Maoism and its emergence in China during the 1920s. We explore the ideological foundations of Maoism, including its emphasis on class struggle, revolution, and the creation of a new socialist society. We also consider the impact of Maoism on Chinese art and culture during the early years of the Communist regime.

Chapter 2:
In the second chapter, we turn our attention to the global spread of Maoism and its influence on art movements around the world. We explore the ways in which Maoist ideas and principles were adopted and adapted by artists in different regions, including Europe, the United States, and Asia. We also consider the ways in which these artists responded to the political and social contexts in which they worked.

Chapter 3:
In the third chapter, we focus on specific case studies of artists who have been influenced by Maoism. We examine the work of artists such as Pablo Picasso, Jackson *******, and Andy Warhol, who were all influenced by the ideas and principles of Maoism. We explore the ways in which these artists incorporated Maoist imagery and symbolism into their work, and the impact that this had on their artistic careers.

Chapter 4:
In the fourth chapter, we examine the legacy of Maoism on modern and contemporary art. We consider the ways in which Maoist ideas and principles continue to shape artistic practice and discourse, and the challenges that artists face in navigating the complexities of this political and cultural landscape.

Conclusion:
In conclusion, this book provides a comprehensive and nuanced exploration of the global influence of Maoism on modern and contemporary art. It demonstrates the ways in which Maoist ideas and principles have been adopted and adapted by artists in different regions, and the ways in which these artists have responded to the political and social contexts in which they worked. The book also highlights the legacy of Maoism on modern and contemporary art, and the challenges that artists continue to face in navigating the complexities of this political and cultural landscape.

Weight: 730g
Dimension: 163 x 240 x 24 (mm)
ISBN-13: 9781526117465