Art History, Narratology, and Twentieth-Century Chinese Art

This study rewrites the development of twentieth-century Chinese art from a narratological perspective, exploring the three layers of narrative and the interaction between Western influence and the Chinese response. It is of interest to scholars in art history, critical theory, Chinese studies, and cultural studies.

Format: Hardback
Length: 220 pages
Publication date: 28 July 2023
Publisher: Taylor & Francis Ltd

This comprehensive study establishes a framework of narratology for art history, offering a fresh perspective on the development of twentieth-century Chinese art. With a theoretical and methodological orientation, this meta-art history delves into the study of art historical narratives while simultaneously narrating the story of modern and contemporary Chinese art. By exploring the three layers of narrative within a narratological framework, the book uncovers the intricate tapestry of storytelling that has shaped the course of Chinese art.

The first-hand fabula, which represents the artist's personal experiences and perspectives, forms the foundation of this narrative structure. Secondary narration, influenced by cultural and historical contexts, adds depth and complexity to the story. Tertiary narrativization, a unique approach in this study, involves the reader-author presenting three types of narratives: the grand narrative, which encapsulates the central thesis of the book; the middle-range narrative, which explores specific chapter theses; and case analyses that support these theses.

The primary focus of tertiary narrativization lies in the intricate interplay between Western influence on Chinese art and the Chinese response to this influence. This dynamic interaction has played a pivotal role in shaping the development of Chinese art at every historical turning point in the twentieth century. The central thesis of the book asserts that this interaction conditioned and shaped the evolution of Chinese art, leaving an indelible mark on its rich and diverse heritage.

This book appeals to scholars engaged in art history, critical theory, Chinese studies, and cultural studies, as it offers a rich and nuanced understanding of the complex interplay between art, culture, and history. By employing a narratological lens, the book provides valuable insights into the ways in which artists have responded to external influences, challenged traditional norms, and forged their own unique artistic identities.

In conclusion, this study represents a significant contribution to the field of art history, offering a fresh perspective on the development of twentieth-century Chinese art. Through its theoretical and methodological approach, the book provides a valuable resource for scholars and enthusiasts alike, shedding light on the rich tapestry of storytelling that has shaped the course of Chinese art throughout its history.

Dimension: 246 x 174 (mm)
ISBN-13: 9781032461526