Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb

The book "Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb" explores artistic representations of Muslim religious and cultural identity in France, the Maghreb, and between since the 2000s, featuring a transnational and transversal set of artistic voices that invoke dissensus and a full range of expression. It contributes to French and Francophone Studies, Humanities and Global/Cultural Studies, and broadens views on Islam and Muslim (self)-representations across disciplines.

Format: Hardback
Length: 237 pages
Publication date: 27 November 2021
Publisher: Springer Nature Switzerland AG

Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a comprehensive collection of essays that delves into the intricate exploration of artistic representations and self-representations of Muslim religious and cultural identity in France, the Maghreb, and the interstitial spaces between these regions since the 2000s. The volume presents a diverse array of feminine and masculine voices and perspectives, offering a multifaceted understanding of cultural Islam, encompassing Franco-French, Franco-Maghrebi, and Maghrebi influences. At the same time, it addresses the profound impact of events such as 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Collectively, the volume showcases a transnational and transversal ensemble of artistic voices that aim to provoke dissensus (Rancière) and embrace a full spectrum of expression. A vital component of this expressive landscape is the representation of Muslims themselves, a task that is not without its complexities. Artists continue to employ the imaginative and performative qualities of their work to complicate an easy reading, reductive meaning, or oversimplified interpretation.

This interdisciplinary study makes significant contributions to the fields of French and Francophone Studies, Humanities, and Global/Cultural Studies, including political studies, sociology, political philosophy, literature, cinema, visual arts, and media studies. Its primary objective is to broaden perspectives on the topic of Islam and Muslim (self)-representations across disciplinary boundaries. By examining the diverse artistic expressions and self-representations within these contexts, the volume fosters a deeper understanding of the complex and multifaceted nature of Muslim identities and their interactions with broader societal dynamics.

The essays collected in this volume explore a wide range of themes and approaches, reflecting the rich diversity of artistic expressions and self-representations within the Muslim communities of France, the Maghreb, and the interstitial spaces. They examine the ways in which artists navigate the challenges and complexities of representing their faith, culture, and experiences in a globalized world, often confronting stereotypes, marginalization, and cultural appropriation. Through their work, artists challenge dominant narratives and offer alternative perspectives, promoting a more nuanced and inclusive understanding of Islam and Muslims.

One of the key themes that emerge from the essays is the role of imagination and performance in shaping artistic representations of Islam and Muslims. Artists use their creative faculties to challenge conventional notions of Islam and Muslim identity, employing imaginative narratives, symbolic imagery, and performative gestures to convey complex ideas and emotions. They explore the intersections between religion, culture, and identity, challenging the boundaries between the sacred and the secular, the traditional and the modern.

Another important aspect of the volume is the exploration of the impact of historical events and social movements on artistic representations of Islam and Muslims. The essays examine how the events of 9/11, the French ban on the hijab, and the Arab Spring have influenced the artistic expressions and self-representations of Muslims. Artists respond to these events by questioning the dominant narratives, challenging stereotypes, and advocating for greater inclusivity and understanding.

The essays also highlight the importance of gender and sexuality in shaping artistic representations of Islam and Muslims. Artists challenge traditional gender roles and stereotypes, promoting a more inclusive and diverse representation of Muslim women and men. They explore the complexities of gender identity, sexuality, and religious expression, challenging the binary narratives that often dominate discussions about Islam and Muslims.

Furthermore, the volume explores the role of media and technology in shaping artistic representations of Islam and Muslims. Artists use digital platforms, social media, and other forms of media to disseminate their work and engage with a broader audience. They explore the challenges and opportunities presented by these technologies, challenging the boundaries between art and activism, and promoting a more interactive and participatory approach to artistic expression.

In conclusion, Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a groundbreaking collection of essays that offers a comprehensive and nuanced understanding of artistic representations and self-representations of Muslim religious and cultural identity in France, the Maghreb, and the interstitial spaces between these regions. Through its diverse voices and perspectives, the volume promotes a deeper understanding of the complex and multifaceted nature of Muslim identities and their interactions with broader societal dynamics. It contributes to the fields of French and Francophone Studies, Humanities, and Global/Cultural Studies, broadening perspectives on the topic of Islam and Muslim (self)-representations across disciplines.

Weight: 490g
Dimension: 210 x 148 (mm)
ISBN-13: 9783030812331
Edition number: 1st ed. 2021