Artists` Moving Image in Britain Since 1989

The moving image has grown from a marginalized medium to a vital area of artistic practice in British art over the past thirty years, with Artists Moving Image in Britain Since 1989 exploring the narratives that have defined this field.

Format: Hardback
Length: 544 pages
Publication date: 03 September 2019
Publisher: Paul Mellon Centre for Studies in British Art

Over the past three decades, the moving image has undergone a remarkable transformation in British art, evolving from a marginal medium to a vital and dynamic field of artistic practice. This transformative journey has been a result of various factors, including technological advancements, institutional support, and the emergence of new artistic voices.

Artists Moving Image in Britain Since 1989 is an ambitious anthology that seeks to provide an in-depth exploration of this evolving landscape. The book brings together a diverse range of perspectives, including those of scholars from art history and film studies, curators from various backgrounds, and artists from different generations. Through a series of essays and interviews, the anthology offers a provocative and multifaceted assessment of the evolving position of the moving image in the British art world.

One of the key themes explored in the book is the impact of technological advancements on the production and consumption of moving images. The authors discuss how digital technologies, such as video, animation, and virtual reality, have opened up new possibilities for artists to express themselves and engage with their audience. They also examine how these technologies have influenced the institutional landscape, with discussions on the role of galleries, museums, and festivals in promoting and supporting moving-image art.

Another important aspect of the book is the role of institutions in shaping the development of moving-image art in Britain. The authors explore how art schools, museums, and galleries have played a crucial role in nurturing and promoting artists working in this field. They also examine the challenges and opportunities that institutions face in adapting to the changing landscape of art production and consumption.

The anthology also considers the creative influences and inspirations that have shaped the evolution of moving-image art in Britain. The authors explore how artists have drawn on a wide range of sources, including literature, philosophy, and popular culture, to create their work. They also examine how these influences have been translated and adapted into new forms of moving-image art.

In conclusion, Artists Moving Image in Britain Since 1989 is a valuable resource for anyone interested in the evolving role of the moving image in British art. The book offers a comprehensive and interdisciplinary perspective on this field, providing a rich understanding of the historical, cultural, and technological factors that have shaped its development. Through its diverse range of contributions, the anthology encourages readers to think critically about the moving image and its place in the contemporary art world.

Weight: 1146g
Dimension: 167 x 241 x 43 (mm)
ISBN-13: 9781913107017