Australian Film Theory and Criticism: Volume 3: Documents

Volume 3: Documents concludes the project by gathering together the documents that were produced during the rise of film studies in Australian academia from 1975–85, showing the development of Australian film theory and criticism, its relationship to international counterparts, and the establishment of key positions and directions.

\n Format: Paperback / softback
\n Length: 500 pages
\n Publication date: 15 February 2018
\n Publisher: Intellect Books
\n

Volume 3: Documents, the concluding installment of a three-volume project dedicated to charting the transnational history of Australian film studies, brings the project to a close by compiling the materials generated during the ascendancy of film studies in Australian academia from 1975 to 1985. Through these sources, we gain insight into the evolution of Australian film theory and criticism, its connections to international counterparts, and the establishment of pivotal positions that subsequently shaped its development. Editors Deane Williams and Constantine Verevis have assembled a selection of critical articles, including the works of Paul Willemen, Sam Rohdie, Ross Gibson, and Meaghan Morris, among many others, to provide a comprehensive and pioneering historiographic account of Australian film studies.

The emergence of film studies in Australian academia during the 1970s and 1980s was marked by significant developments and advancements. This period witnessed the growth of a vibrant film culture, the establishment of academic institutions dedicated to the study of cinema, and the emergence of a thriving film industry. The third volume of the project, Volume 3: Documents, serves as a valuable resource for scholars and researchers seeking to understand the evolution of Australian film theory and criticism during this crucial period.

The volume begins with an introduction by the editors, providing an overview of the key themes and trends that emerged in Australian film studies during the 1970s and 1980s. They argue that this period was marked by a renewed interest in Australian cinema, a growing awareness of its international significance, and the development of a distinctive film theory and criticism that reflected the unique cultural and historical context of the country.

The subsequent chapters of the volume are dedicated to exploring the various aspects of Australian film theory and criticism. The articles included in this collection cover a wide range of topics, including the influence of colonialism and postcolonialism on Australian cinema, the role of women in the industry, the representation of race and ethnicity, and the impact of technological advancements on the production and distribution of films.

One of the key themes that emerges from the articles in Volume 3: Documents is the close relationship between Australian film theory and criticism and its international counterparts. The editors argue that Australian film scholars were actively engaged with the broader international film discourse, and that their work contributed to the development of new theoretical frameworks and critical approaches.

Another important aspect of the volume is the establishment of key positions and the directions in which they developed. The editors identify several influential figures in Australian film studies, including Paul Willemen, Sam Rohdie, Ross Gibson, and Meaghan Morris, who made significant contributions to the field. They discuss the theoretical frameworks and critical approaches that these scholars developed, and how they shaped the development of Australian film theory and criticism.

In addition to the articles, Volume 3: Documents includes a comprehensive bibliography that provides a valuable resource for scholars and researchers seeking to further explore the literature of Australian film studies. The bibliography includes a wide range of books, articles, and other materials that cover the history of Australian cinema, film theory and criticism, and other related fields.

Overall, Volume 3: Documents is a significant contribution to the field of Australian film studies. It provides a comprehensive and detailed account of the development of Australian film theory and criticism during the 1970s and 1980s, and offers valuable insights into the unique cultural and historical context that shaped this field. The editors' commitment to scholarship and their dedication to preserving the rich history of Australian film studies are evident in the quality of the materials included in this volume.

In conclusion, Volume 3: Documents is a must-read for scholars and researchers interested in the transnational history of Australian film studies. It provides a comprehensive and detailed account of the development of Australian film theory and criticism during a crucial period, and offers valuable insights into the unique cultural and historical context that shaped this field. The editors' commitment to scholarship and their dedication to preserving the rich history of Australian film studies are evident in the quality of the materials included in this volume.

\n Weight: 690g\n
Dimension: 172 x 229 x 23 (mm)\n
ISBN-13: 9781783208371\n \n