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Catholicism and Cinema: Modernization and Modernity
Catholicism and Cinema: Modernization and Modernity
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- More about Catholicism and Cinema: Modernization and Modernity
This volume explores how the Catholic Church used cinema as a space for action in modern mass society, analyzing a vast body of documents preserved at the Vatican Secret Archives and Italian Catholic archives. It includes the Archivio Storico dellIstituto Luigi Sturzo and the Archivio dellIstituto per la storia dellAzione Cattolica e del Movimento Cattolico in Italia Paolo VI, as well as other partially indexed archives.
\n Format: Paperback / softback
\n Length: 244 pages
\n Publication date: 10 June 2018
\n Publisher: Mimesis International
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This comprehensive volume delves into the fascinating ways in which the Catholic Church utilized cinema as a platform for impactful action within the intricate tapestry of modern mass society. Within this analytical framework, it conducts a thorough examination of the Catholic Church's film policy, shedding light on a vast collection of documents housed in the Vatican Secret Archives and numerous Italian Catholic archives. These archives, some of which have been meticulously indexed and made accessible to scholars, include esteemed institutions such as the Archivio Storico dell'Istituto Luigi Sturzo [Historical Archive of the Luigi Sturzo Institute] and the Archivio dell'Istituto per la storia dell'Azione Cattolica e del Movimento Cattolico in Italia Paolo VI [Archive of the Institute for the History of Catholic Action and the Catholic Movement in Italy Paul VI]. Additionally, there are other archives, such as the Nazareno Taddei Archive, which are partially indexed, while others face the imminent threat of closure, such as the Associazione Cattolica Esercenti Cinema [Catholic Exhibitors Association] Archive.
The study uncovers a rich trove of historical materials, meticulously preserved and carefully analyzed, providing a comprehensive understanding of the Catholic Church's engagement with cinema throughout its evolution. By meticulously examining these documents, the volume offers a groundbreaking exploration of the Church's policies, strategies, and initiatives in the realm of film, shedding light on its efforts to harness the power of visual storytelling to convey its message, influence public opinion, and engage with the broader society.
The Catholic Church's film policy, as revealed through this comprehensive analysis, encompasses a wide range of topics and issues. It explores the historical background and development of the Church's relationship with cinema, examining the factors that influenced its approach to the medium. The volume also delves into the Church's efforts to regulate and control the production, distribution, and exhibition of films, highlighting the challenges and controversies that emerged along the way.
One of the key aspects of the study is the systematic analysis of a vast body of documents preserved at the Vatican Secret Archives and other Italian Catholic archives. These documents include official statements, letters, reports, and other official records, providing a firsthand account of the Church's interactions with filmmakers, producers, and distributors. The analysis reveals the Church's concerns, aspirations, and strategies in shaping the content and message of films, as well as its efforts to influence public opinion and promote its values and teachings.
The volume also explores the role of Catholic institutions and organizations in the film industry. It examines the establishment of film studios, production companies, and distribution networks by the Church, as well as the involvement of Catholic actors, directors, and writers in the production of films. The study sheds light on the complex dynamics between the Church and the secular entertainment industry, highlighting the challenges and opportunities that emerged as the Church sought to navigate the complex terrain of modern mass society.
Furthermore, the volume examines the impact of Catholic cinema on society and culture. It explores the ways in which films have been used to promote religious values, moral teachings, and social justice, as well as the ways in which they have been criticized and challenged by secular audiences and critics. The study also considers the broader the cultural and social significance of Catholic cinema, examining its role in shaping the attitudes and beliefs of viewers, particularly among Catholic audiences.
In conclusion, this comprehensive volume offers a profound and insightful exploration of the ways in which the Catholic Church utilized cinema as a space for action within the complex dynamics of modern mass society. Through a systematic analysis of a vast collection of documents preserved at the Vatican Secret Archives and other Italian Catholic archives, the study sheds light on the Church's film policy, illuminating for the first time a vast body of documents preserved at the Vatican Secret Archives and at numerous Italian Catholic archives – some of them indexed and opened to scholars. The volume provides a rich and detailed account of the Church's efforts to harness the power of visual storytelling to convey its message, influence public opinion, and engage with the broader society. It offers valuable insights into the historical background, development, and impact of Catholic cinema on society and culture, and serves as a valuable resource for scholars, researchers, and enthusiasts interested in the intersection of religion, media, and culture.
\n Weight: 328g\n
Dimension: 140 x 209 x 21 (mm)\n
ISBN-13: 9788869770760\n \n
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