China and the West: Reconsidering Chinese Reverse Glass Painting

This edited volume explores the cross-cultural dialogue of Chinese reverse glass painting, tracing its long history, local and global diffusion, and artistic and technical characteristics. It is a significant part of Chinese visual culture and demonstrates the intensive cultural and artistic exchange between China and the West.

Format: Hardback
Length: 292 pages
Publication date: 05 December 2022
Publisher: De Gruyter

This edited volume, enriched by the expertise of renowned specialists in glass art and East Asian art history, initiates a groundbreaking cross-cultural exploration into the previously under-examined realm of Chinese reverse glass painting. Serving as the first comprehensive survey of this distinctive form of East Asian art, the volume traces the intricate tapestry of its historical development, regional and international dissemination, and artistic and technical intricacies. Crafted with meticulous attention to both European markets and domestic consumption within China, the fragile artworks analyzed in this volume hold a pivotal position in Chinese visual culture, serving as tangible evidence of the profound cultural and artistic exchange between China and the West.

Contributors to this esteemed volume include:

Thierry Audric, a celebrated scholar of glass art, brings his extensive knowledge to bear, shedding light on the historical significance and artistic innovations of Chinese reverse glass painting.

Kee Il Choi Jr., a noted expert in East Asian art history, contributes his insights into the cultural context and artistic traditions that shaped the development of reverse glass painting in East Asia.

Patrick Conner, an art historian specializing in Chinese art, explores the historical trajectory and regional variations of reverse glass painting, shedding light on its evolution and impact.

Karina H. Corrigan, a scholar of Chinese art, delves into the technical aspects of reverse glass painting, examining the techniques and materials employed to create these intricate artworks.

Elisabeth Eibner, a specialist in Chinese ceramics, contributes her expertise to the study of reverse glass painting, exploring its relationship with other ceramic forms and its significance in Chinese art history.

Patricia F. Ferguson, a scholar of Chinese art, examines the role of reverse glass painting in the cultural exchange between China and Europe, highlighting its impact on artistic and aesthetic developments.

Lihong Liu, a glass artist and researcher, explores the creative process and artistic expression inherent in reverse glass painting, highlighting the unique qualities and challenges of this medium.

William H. Ma, a distinguished art historian, contributes his insights into the historical development and stylistic trends of Chinese reverse glass painting, shedding light on its evolution and significance.

Alina Martimyanova, a scholar of Russian art, explores the cross-cultural influences and exchanges that shaped the development of reverse glass painting, highlighting its connections with other artistic traditions.

Christopher L. Maxwell, a scholar of Chinese art, examines the technical and artistic innovations of reverse glass painting, exploring how it pushed the boundaries of traditional glass art.

Rupprecht Mayer, a renowned expert in Chinese art, contributes his expertise to the study of reverse glass painting, exploring its historical context and its place within Chinese art history.

Jessica Lee Patterson, an art historian specializing in East Asian art, explores the aesthetic and symbolic aspects of reverse glass painting, shedding light on the messages and meanings encoded within these intricate artworks.

Michaela Pejčochová, a scholar of Chinese art, examines the role of reverse glass painting in the religious and spiritual practices of Chinese society, highlighting its significance in religious ceremonies and rituals.

Jérôme Samuel, a scholar of Chinese art, explores the historical and cultural connections between China and Europe, examining how reverse glass painting contributed to the exchange of ideas and influences between these two regions.

Hans Bjarne Thomsen, a distinguished art historian, contributes his insights into the technical and artistic aspects of reverse glass painting, highlighting the craftsmanship and innovation that went into creating these masterpieces.

Jan van Campen, a scholar of Chinese art, explores the historical and cultural significance of reverse glass painting in Chinese society, highlighting its role in shaping artistic and cultural traditions.

Rosalien van der Poel, a scholar of East Asian art, contributes her expertise to the study of reverse glass painting, exploring its regional variations and its place within the broader context of East Asian art history.

In conclusion, this edited volume serves as a vital contribution to the field of East Asian art history, shedding light on the previously under-studied medium of Chinese reverse glass painting. Through the insightful contributions of these distinguished experts, the volume explores the rich tapestry of its historical development, regional and global diffusion, and artistic and technical characteristics. By fostering a cross-cultural dialogue, this volume contributes to a deeper understanding of the complex interplay between China and the West, highlighting the profound cultural and artistic exchange that has shaped the world we inhabit today.

Weight: 946g
Dimension: 245 x 179 x 26 (mm)
ISBN-13: 9783110711752