Cinema and Ontology

This volume explores the relationship between cinema and ontology, investigating the specificity of cinema's being and how it can help us understand what exists. It examines topics such as cinema's place in the arts, the connection between cinematic realism and philosophical realism, the transition from analog to digital cinema, the specificity of films made through cell phones, and the representation of non-human animals in films.

\n Format: Paperback / softback
\n Length: 200 pages
\n Publication date: 30 June 2019
\n Publisher: Mimesis International
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This collection of essays delves into the intricate relationship between cinema and ontology, exploring various dimensions of this interplay. Through an ontological lens, the essays shed light on the unique essence of cinema, recognizing its distinct mode of being. At the same time, they emphasize the profound ways in which cinema can contribute to our understanding of ontology, specifically illuminating the realm of what exists.

The volume is organized into five sections, each comprising a pair of complementary essays. These sections examine diverse topics such as the position of cinema within the broader arts system, the interplay between cinematic realism and philosophical realism, the transition from analog to digital cinema, the distinct qualities of films created through cell phones, and the portrayal of non-human animals in films.

In the first section, titled "The Place of Cinema in the System of the Arts," the essays explore the role of cinema within the artistic landscape. They examine how cinema differs from other art forms and discuss its unique contributions to the artistic world. The authors analyze the historical development of cinema and its impact on cultural and societal norms. They also explore the aesthetic and technical aspects of cinema, including the use of sound, image, and editing techniques, to create powerful and immersive cinematic experiences.

The second section, titled "The Connection between Cinematic Realism and Philosophical Realism," delves into the philosophical underpinnings of cinematic realism. The essays examine the concept of realism in philosophy and its application to cinema. They explore the ways in which filmmakers strive to capture the essence of reality on screen and discuss the challenges and limitations of achieving cinematic realism. The authors also consider the ethical implications of representing reality in film and the ways in which cinema can contribute to our understanding of the world.

The third section, titled "The Transition from Analog to Digital Cinema," explores the technological advancements that have shaped the evolution of cinema. The essays examine the transition from analog to digital filmmaking and its impact on the aesthetics, production, and distribution of films. The authors discuss the advantages and disadvantages of digital technology and explore the ways in which it has influenced the creative process and the audience's experience of cinema. They also consider the potential implications of this transition for the future of cinema and the role of filmmakers in adapting to new technologies.

The fourth section, titled "The Specificity of Films Made through Cell Phones," focuses on the unique qualities of films made through mobile devices. The essays examine the challenges and opportunities presented by the use of cell phones as a filmmaking tool. The authors explore the aesthetics, narrative structure, and cultural significance of films made through cell phones. They also consider the ethical implications of using cell phones as a filmmaking platform and the ways in which it has democratized the filmmaking process.

The fifth section, titled "The Representation of Non-Human Animals in Films," explores the portrayal of non-human animals in cinema. The essays examine the historical and cultural significance of animal representation in film and discuss the ethical and philosophical considerations involved in depicting animals on screen. The authors analyze the ways in which non-human animals are represented in films, including their physical characteristics, behaviors, and emotional states. They also consider the ways in which films can contribute to our understanding of non-human animals and the role of filmmakers in promoting empathy and compassion for these creatures.

In conclusion, this collection of essays provides a comprehensive exploration of the relationship between cinema and ontology. Through an ontological lens, the essays shed light on the unique essence of cinema and its distinct mode of being. At the same time, they emphasize the profound ways in which cinema can contribute to our understanding of ontology, specifically illuminating the realm of what exists. The essays offer valuable insights into the diverse topics explored, including the place of cinema in the system of the arts, the connection between cinematic realism and philosophical realism, the transition from analog to digital cinema, the specificity of films made through cell phones, and the representation of non-human animals in films. By engaging with these essays, readers will gain a deeper appreciation of the complex and multifaceted relationship between cinema and ontology, and will be inspired to further explore the potential of this medium to expand our understanding of the world.

\n Weight: 200g\n
Dimension: 142 x 209 x 12 (mm)\n
ISBN-13: 9788869771606\n \n