Cinematic Intermediality: Theory and Practice

This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance.

Format: Hardback
Length: 208 pages
Publication date: 28 February 2021
Publisher: Edinburgh University Press

This edited collection presents exciting new perspectives on cinematic intermediality, offering innovative approaches to exploring the intricate relationship between film and various influential artistic mediums, including performance, sculpture, painting, photography, and dance. By delving into these interconnections, the collection seeks to shed light on the rich tapestry of artistic influences that have shaped the evolution of cinema, highlighting the ways in which films have borrowed, adapted, and reimagined artistic traditions to create unique and dynamic cinematic experiences.

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Cinematic intermediality refers to the interplay and mutual influence between film and other artistic mediums, such as performance, sculpture, painting, photography, and dance. It explores how films borrow elements, techniques, and themes from these artistic disciplines, creating a dynamic and multi-dimensional cinematic experience. This collection aims to expand our understanding of cinematic intermediality by presenting innovative approaches and methodologies that challenge traditional notions of film analysis.

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One of the key themes explored in this collection is the ways in which films engage with historical and cultural contexts. By drawing on the rich heritage of performance, sculpture, painting, photography, and dance, films can create powerful narratives that reflect and comment on the social, political, and cultural landscapes of their time. For example, films that incorporate dance movements or visual styles from different periods can evoke a sense of nostalgia or cultural identity, while films that explore historical events or figures can provide a deeper understanding of the past.

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Another important aspect of cinematic intermediality is the way in which films transcend traditional boundaries and push the limits of storytelling. By incorporating elements from other artistic mediums, films can create new visual languages, narrative structures, and emotional experiences that challenge the audience's perception of what a film can be. For example, experimental films that blend live action with animation or incorporate found footage can create a sense of ambiguity and uncertainty, while films that use unconventional editing techniques or sound design can create a highly immersive and sensory experience.

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In conclusion, this edited collection offers a wealth of insights and perspectives on cinematic intermediality, providing a roadmap for future research and exploration. By examining the complex relationships between film and other artistic mediums, the collection highlights the ways in which films can be seen as dynamic and multi-dimensional works of art that contribute to our understanding of the world around us.

Weight: 484g
Dimension: 162 x 240 x 24 (mm)
ISBN-13: 9781474446341