Contemporary Art, Systems and the Aesthetics of Dispersion

This book explores identity and experience in late capitalism through the ideas of systems and dispersion, using five case studies of contemporary art. It argues that any understanding of art is underwritten by a related view of what a human being is and that these both have a particular character in late capitalism. It will be of interest to scholars and students working in art history, contemporary art, studio art, and theories of systems and networks.

Format: Hardback
Length: 94 pages
Publication date: 16 May 2023
Publisher: Taylor & Francis Ltd

This captivating book delves into the intricate realm of identity and experience in the context of late capitalism, employing a rich tapestry of five compelling case studies of contemporary art. Through the lens of systems and dispersion, it offers a profound exploration of the ever-evolving nature of artistic expression.

The book begins by introducing a diverse range of artists who exemplify contemporary art practice: Seth Price, Liam Gillick, Martin Creed, Hito Steyerl, and Theaster Gates. These artists, each with their unique style and approach, serve as a testament to the boundless creativity and adaptability of the art world.

In the face of the ever-changing landscape of art, once-traditional artistic mediums and practices have given way to a myriad of new possibilities. Artists now embrace a wide array of materials, techniques, and platforms, blurring the boundaries between traditional art forms and emerging disciplines. This shift has necessitated a reevaluation of the concept of artistic expression and the tools used to convey it.

According to Francis Halsall, in this era of obsolescence, the ideas of system and dispersion become invaluable in understanding contemporary art. Artists are no longer bound by the limitations of traditional mediums and practices; instead, they harness the power of available systems of distribution and display as their creative mediums. This approach allows for a fluid and dynamic interplay between art and its audience, as artists explore the vast possibilities offered by the digital age.

The central arguments of the book revolve around the interconnectedness of art and human beings. Halsall posits that any understanding of art must be rooted in a related view of what a human being is. Moreover, he argues that these views take on a distinct character in the context of late capitalism, known as the Age of Dispersion. In this age, individuals are increasingly fragmented and disconnected, navigating a complex web of social, economic, and cultural forces. Art, as a reflection of human experience, becomes a powerful tool for exploring and understanding these complexities.

The book appeals to scholars and students engaged in the fields of art history, contemporary art, studio art, and theories of systems and networks. It offers a comprehensive and insightful examination of the dynamic relationship between identity, experience, and artistic expression in the late capitalist era. Through its rich case studies and thought-provoking analysis, the book provides valuable insights into the ever-evolving world of art and its profound impact on our understanding of the human condition.

Weight: 358g
Dimension: 216 x 138 (mm)
ISBN-13: 9781032324920