Contemporary Israeli Cinema: Trauma, Ethics and Temporality

This book provides a comprehensive examination of temporality, ethics, and trauma in Israeli film and television since the turn of the millennium, using feminist theory, queer theory, critical race and postcolonial studies, and original analysis. It is a valuable resource for those interested in these fields.

Format: Hardback
Length: 182 pages
Publication date: 30 December 2022
Publisher: Taylor & Francis Ltd

Since the turn of the millennium, Israeli film and television have been the subject of a critical examination of temporality, ethics, and trauma. This comprehensive analysis explores contemporary issues in Israeli media and culture through the lenses of feminist theory, queer theory, critical race and postcolonial studies. The author offers a clear and nuanced analysis that will be of great interest to scholars and students in the fields of trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.

The study of temporality, ethics, and trauma in Israeli film and television since the turn of the millennium is a crucial exploration. Through the application of feminist theory, queer theory, critical race and postcolonial studies, the author offers a comprehensive analysis of contemporary issues in Israeli media and culture. This analysis is clear and nuanced, making it valuable for scholars and students interested in trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.

The examination of temporality in Israeli film and television since the turn of the millennium reveals a complex and multifaceted landscape. The authors analyze how the country's history, politics, and cultural context shape the representation of time and its impact on the characters and narratives. They explore how the media portrays the past, present, and future, and how these representations contribute to the understanding of Israeli identity and the ongoing conflict with Palestine.

Ethics is another central theme in the analysis. The authors examine how ethical dilemmas and moral conflicts are portrayed in Israeli film and television and how these issues reflect the country's social and political realities. They explore how characters navigate complex ethical situations, such as the decision to participate in military service or the treatment of refugees and immigrants. The authors also consider how the media contributes to the formation of ethical norms and values in Israeli society.

Trauma is a significant aspect of the analysis, as it is a prevalent theme in Israeli film and television. The authors examine how trauma is represented and how it affects the characters and their relationships. They explore how trauma is used as a tool to explore themes of resilience, resilience, and the search for meaning in the face of adversity. The authors also consider how trauma can be used to challenge dominant narratives and promote social change.

The analysis of Israeli film and television since the turn of the millennium offers valuable insights into the country's media and cultural landscape. It highlights the complex interplay of temporality, ethics, and trauma and their impact on the characters and narratives. The authors' use of feminist theory, queer theory, critical race and postcolonial studies provides a rich and nuanced framework for understanding these issues. This analysis will be of great interest to scholars and students in the fields of trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.

Weight: 500g
Dimension: 234 x 156 (mm)
ISBN-13: 9781032194097