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Dhananjay Rai

Contested Representation: Dalits, Popular Hindi Cinema, and Public Sphere

Contested Representation: Dalits, Popular Hindi Cinema, and Public Sphere

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  • More about Contested Representation: Dalits, Popular Hindi Cinema, and Public Sphere


Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. The study needs to look at the construction and meaning of the social language of Hindi cinema, including the relationship between factors of social language and Dalits, and the contested representation of Dalits in the film industry.

Format: Hardback
Length: 268 pages
Publication date: 15 July 2022
Publisher: Lexington Books


Due to its creation of social language, popular Hindi cinema has emerged as a significant marker of contemporaneity. Hindi cinema has typically been interpreted through both internal (auteur or genre or cinéma verité) and external (consumption spheres and the complex response of moviegoers in the form of catharsis or everydayness mimesis) lenses. However, there is a pressing need for a fresh approach to understanding 'Dalit Representation' within the realm of cinema. The study must delve into the construction and significance of the social language employed in Hindi cinema. Construction involves examining factors beyond the film industry that contribute to shaping the social language. Meaning entails the display of social language through messages. Here, relational exploration becomes paramount. The relationship between the elements of Hindi cinema's social language and Dalits must be unraveled to comprehend the meaning of social language for Dalits. Contested representation encompasses the nature of the absence and presence of Dalits in Hindi cinema.

Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language.


Generally,Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers complex response in the form of catharsis or everydayness mimesis). However,cinema also needs a new way of discerning with respect to ‘Dalit Representation.


The study needs to look at the construction and meaning of the social language of Hindi cinema.


Construction refers to exploring factors beyond the film industry responsible for shaping the social language.


Meaning entails the exhibition of social language in the form of messages.


Herein,relational exploration becomes crucial.


The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits.


Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.


Dimension: 229 x 152 (mm)
ISBN-13: 9781666901337

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