Coproducing Europe: An Ethnography of Film-markets, Creativity and Identity

Film coproductions were limited to specific industries until the 1990s when the EU launched film policies to encourage political and cultural collaboration. Coproducing Europe explores the impact of these policies on the coproduction networks in Thessaloniki, Sarajevo, and Tbilisi, focusing on their role in Europeanization, memories of the Cold War, and preconstructed political agendas.

Format: Hardback
Length: 218 pages
Publication date: 12 May 2023
Publisher: Berghahn Books

Up until the 1990s, when the European Union (EU) launched film policies aimed at fostering political and cultural collaboration among its member states, film coproductions were primarily limited to specific industries and largely driven by the cultural and national values of individual nations. The landscape of film coproductions underwent a significant transformation with the introduction of these EU policies. Coproducing Europe delves into the profound impact of these policies on the coproduction networks that have emerged as a vital force in contemporary creative economies. By examining regional film markets in Thessaloniki, Sarajevo, and Tbilisi, this comparative ethnography extends beyond the mere economic dimensions of film coproductions to explore their role in Europeanization, the lingering memories of the Cold War, and the underlying political agendas.

The Thessaloniki, Sarajevo, and Tbilisi film markets serve as focal points for this comparative ethnography. These markets represent diverse geographical and cultural contexts, each with its unique history and dynamics. Through in-depth interviews, participant observation, and analysis of relevant literature, Coproducing Europe seeks to unravel the complex web of factors that shape film coproductions in these regions.

One of the key findings of the study is the increasing importance of cross-border collaboration in film coproductions. The EU policies have facilitated the formation of networks and partnerships that transcend national boundaries, allowing filmmakers to access a broader range of resources, expertise, and markets. This has led to the development of a more diverse and inclusive film industry, with a greater emphasis on cultural exchange and mutual understanding.

However, the study also highlights the challenges and complexities associated with film coproductions. The cultural differences, linguistic barriers, and regulatory frameworks can create barriers to collaboration and hinder the smooth execution of projects. Filmmakers must navigate a complex web of legal agreements, funding sources, and distribution channels, often facing challenges in accessing finance and navigating the political complexities of different regions.

Moreover, film coproductions often serve as vehicles for promoting specific political agendas or narratives. The study explores how filmmakers use coproductions to address social, cultural, and political issues, and how these narratives are shaped by the cultural and historical contexts of different regions. The role of the EU in promoting European identity and values through film coproductions is also examined, as well as the potential impact of these narratives on audiences and policymakers.

In conclusion, Coproducing Europe offers a comprehensive analysis of the impact of EU film policies on film coproductions in Europe. By examining the regional film markets in Thessaloniki, Sarajevo, and Tbilisi, the study sheds light on the complex dynamics that shape film coproductions, including their role in Europeanization, memories of the Cold War, and preconstructed political agendas. The study highlights the importance of cross-border collaboration, cultural exchange, and the promotion of diverse narratives in contemporary film industries. It also raises important questions about the challenges and complexities associated with film coproductions, and the role of policymakers and industry stakeholders in addressing these issues.

Dimension: 229 x 152 (mm)
ISBN-13: 9781800739857