Curating Art Now
Curating Art Now
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CuratingArt Now is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. It encompasses a wide range of activities and is undergoing a significant period of transition as it grapples with questions about diversity, inclusivity, autonomy, and power dynamics. The review considers the future landscape of curating in an uncertain world.
Format: Hardback
Length: 104 pages
Publication date: 10 June 2022
Publisher: Lund Humphries Publishers Ltd
CuratingArt Now is a thought-provoking exploration of the art of curation and the evolving role of the art curator in a rapidly changing world. As an integral part of the museum's identity and expertise, curation has become increasingly significant in the commercial art sector as well. Today's curatorial practice encompasses a wide array of activities, ranging from the preservation and presentation of museum collections to the organization of large-scale contemporary art biennials and the collaboration with artists on digital platforms.
Over the past few decades, curation has experienced significant growth, and the early 2020s mark a pivotal period of transformation as it confronts fundamental questions about its diversity, inclusivity, economic viability, autonomy, and power dynamics between artists and curators. In this context, Lilian Cameron's review offers a comprehensive examination of these issues, considering the future landscape of curation in an uncertain world.
One of the central themes of CuratingArt Now is the question of curation's diversity and inclusivity. The review explores how curators can ensure that their work is accessible to a wide range of audiences and promotes representation and diversity in the art world. It raises concerns about the barriers that marginalized communities face in accessing art institutions and highlights the need for more inclusive curatorial practices.
Another important aspect of the review is the challenge of conducting exploratory and inclusive curatorial work in the early 2020s. The economic climate is characterized by uncertainty, making it difficult for curators to secure funding and resources for their projects. The review discusses strategies that curators can employ to navigate these challenges, such as collaboration with artists, community engagement, and the use of digital platforms to reach new audiences.
The extent of a curator's autonomy within various institutions and structures is another critical issue addressed in CuratingArt Now. The review explores the power dynamics between artists and curators and considers how curators can assert their authority. It raises questions about the balance between artistic vision and commercial interests and the role of curators in shaping the public's understanding and interpretation of art.
Digital art and exhibition-making are also explored as potential disruptors of traditional curating practices. The review discusses how these technologies can enhance the curatorial process and create new opportunities for artistic expression and engagement. It raises concerns about the ethical implications of digital curation and the potential for these technologies to perpetuate existing power imbalances.
In conclusion, CuratingArt Now is a timely and insightful exploration of the art of curation and the evolving role of the art curator in a rapidly changing world. The review offers valuable insights into the challenges and opportunities facing curators today and provides a roadmap for navigating the future landscape of curation in an uncertain world. By promoting diversity, inclusivity, economic viability, autonomy, and power dynamics between artists and curators, curation can continue to play a vital role in shaping the art world and promoting artistic excellence.
Dimension: 200 x 130 (mm)
ISBN-13: 9781848224834
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