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Danielle Antoinette Hidalgo

Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism

Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism

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  • More about Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism


Danielle Hidalgo's book explores how dance music spaces navigate authenticity, branding, and commercialism, using the concept of authenticity maneuvering. It shows how the strategic use of a rave ethos bolsters acceptance while making commercial practices less visible or problematic.

Format: Hardback
Length: 198 pages
Publication date: 31 January 2022
Publisher: Lexington Books


Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism delves into the creation of diverse social, cultural, physical, and digital spaces within the realm of dance music. These spaces exhibit a unique blend of rave authenticity and the commercialism prevalent in club culture. Danielle Hidalgo, in her book, employs the concept of authenticity maneuvering to explore how clubs, clubbers, and DJs navigate the complexities of authenticity, branding, and commercialism. Through this approach, she argues that the strategic deployment of a rave ethos not only enhances acceptance within dance music spaces but also makes commercial practices less conspicuous or contentious. Hidalgo showcases how the coexistence of authenticity and commercialism empowers and constrains three highly successful women DJs and their colleagues, necessitating the ongoing performance of authenticity through branding. This book offers a profound examination of the intricate interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.


Introduction:
Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism explores the intricate dynamics between dance music, its spaces, and the individuals involved. It examines the production of social, cultural, physical, and digital spaces within the realm of dance music, highlighting the unique blend of rave authenticity and the commercialism prevalent in club culture. The book delves into the strategies employed by clubs, clubbers, and DJs to navigate these complexities, employing the concept of authenticity maneuvering to understand how they balance authenticity with branding and commercialism.


Authenticity Maneuvering:
Danielle Hidalgo introduces the concept of authenticity maneuvering to explain how clubs, clubbers, and DJs navigate the challenges of authenticity, branding, and commercialism. She argues that the strategic use of a rave ethos bolsters acceptance within dance music spaces while also making commercial practices less visible or problematic. Hidalgo demonstrates how the presence of both authenticity and commercialism enables and constrains three highly successful women DJs and their colleagues, requiring the ongoing performance of authenticity via branding.


Rave Ethos:
The rave ethos refers to the values, beliefs, and practices associated with raves, which are underground dance parties characterized by a sense of community, freedom, and experimentation. Hidalgo suggests that the deployment of a rave ethos in dance music spaces can enhance acceptance and foster a sense of belonging among clubbers. It can also create a barrier against the commercialization of dance music, as the rave ethos values authenticity and self-expression over commercial gain.


Commercialism in Dance Music:
While the rave ethos can serve as a means to maintain authenticity, commercialism is an inherent aspect of the dance music industry. Clubs, as commercial entities, play a significant role in shaping the dance music scene, offering platforms for DJs to perform, promoting events, and generating revenue. Hidalgo acknowledges the commercialism of club culture and explores how it intersects with the pursuit of authenticity.


Balancing Authenticity and Commercialism:
The book highlights the complexities involved in balancing authenticity and commercialism within dance music spaces. Clubs, clubbers, and DJs must navigate a fine line between preserving their artistic integrity and appealing to the commercial demands of the industry. Hidalgo examines how these individuals and groups negotiate this balance, employing various strategies such as selective branding, curating diverse music playlists, and fostering a sense of community among clubbers.


Women DJs and the Performance of Authenticity:
The book focuses on the experiences of three highly successful women DJs and their colleagues, who navigate the challenges of authenticity, branding, and commercialism in their respective careers. Hidalgo explores how the presence of both authenticity and commercialism enables and constrains these women DJs, requiring them to continually perform authenticity through branding. The book provides insights into the strategies employed by these DJs to maintain their artistic identity while also appealing to the commercial market.


Conclusion:
Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism offers a comprehensive analysis of the intricate interplay between dance music, its spaces, and the individuals involved. It sheds light on the strategies employed by clubs, clubbers, and DJs to navigate the complexities of authenticity, branding, and commercialism. Through the experiences of three successful women DJs and their colleagues, the book provides valuable insights into the challenges and rewards of pursuing a career in dance music. The book concludes by emphasizing the importance of maintaining a balance between authenticity and commercialism in order to create sustainable and thriving dance music spaces.

Weight: 494g
Dimension: 229 x 158 x 21 (mm)
ISBN-13: 9781793607546

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