Dancing Postcolonialism - The National Dance Theatre Company of Jamaica

This book explores the National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theatre, examining the interrelationship of Jamaican modern dance theatre aesthetics and the Caribbean's complex cultural genealogy since 1492. It addresses issues of postcolonial nationalism and identity politics and provides the first comprehensive study of the NDTC's modern dance theatre works.

Format: Paperback / softback
Length: 238 pages
Publication date: 08 December 2021
Publisher: Transcript Verlag

This book is a groundbreaking exploration of the National Dance Theatre Company of Jamaica (NDTC), a renowned institution in the world of postcolonial theatre. By seamlessly blending a postcolonial theoretical framework with performance studies and dance analysis, the study delves into the intricate relationship between Jamaican modern dance theatre aesthetics and the rich cultural heritage of the Caribbean since 1492. Through its comprehensive approach, the book addresses critical issues such as postcolonial nationalism and Jamaican identity politics, offering the first comprehensive examination of the NDTC's modern dance theatre works. It places dance theatre choreography at the forefront of postcolonial independence politics and cultural theory in the Caribbean, shedding light on its profound impact on the region.

The book's exploration of the NDTC's artistic journey is rich and multifaceted. It begins by tracing the historical roots of the company, highlighting its early influences and the challenges it faced during its formative years. This contextualization sets the stage for the subsequent analysis, which delves into the artistic innovations and breakthroughs that have shaped the NDTC's repertoire.

One of the key themes that the book explores is the intersection of dance and politics. The NDTC has been a vocal advocate for social justice and cultural empowerment, using its performances to raise awareness about important issues such as poverty, inequality, and human rights. Through its choreography, the company challenges traditional notions of power and authority, promoting a more inclusive and equitable society.

Another important aspect of the book is its examination of the NDTC's contributions to the development of modern dance theatre in the Caribbean. The company has played a pivotal role in shaping the artistic landscape of the region, pushing the boundaries of what is possible in terms of performance and creativity. Its innovative approach to choreography and its commitment to exploring the cultural nuances of the Caribbean have made it a trailblazer in the field.

The book also offers valuable insights into the cultural politics of the Caribbean region. It explores the ways in which dance theatre can be used as a tool for cultural resistance and empowerment, as well as how it can contribute to the construction of national identities. The NDTC's performances have often been used as a means to celebrate and promote the unique cultural heritage of the Caribbean, while also challenging dominant narratives and stereotypes.

In conclusion, this book is a must-read for anyone interested in the intersection of dance, politics, and culture. It provides a comprehensive and insightful examination of the National Dance Theatre Company of Jamaica, shedding light on its profound impact on the region and its contributions to the world of postcolonial theatre. Through its innovative approach and rigorous analysis, the book offers valuable insights into the complex dynamics of postcolonialism and the role of art in shaping society.

Weight: 816g
Dimension: 8 x 5 x 15 (mm)
ISBN-13: 9783899426427