Deburau: Pierrot, Mime, and Culture

This book explores the nature of Deburau's mime art and pantomime performances in the context of Romantic art, literature, and socio-political thought, highlighting their association with social reform and revolution. It is a valuable resource for undergraduates and postgraduates studying theatre, literary studies, and the Romantic period.

Format: Hardback
Length: 276 pages
Publication date: 01 July 2022
Publisher: Taylor & Francis Ltd

This comprehensive volume delves into the intricate nature of Deburau's mime art and the pantomime performances held at the Théâtre des Funambules in Paris during the Romantic era. By examining these performances within the broader context of Romantic art, literature, and socio-political thought, the book offers a profound exploration of the era's artistic and intellectual landscape.

Deburau and the Théâtre des Funambules stand as notable representatives of Romantic art, as they are intricately linked with specific aspirations for social reform and even revolution. Deburau, in particular, became an iconic figure for intellectuals such as George Sand, who regarded him as a key member of the "poète-maçon movement." Edward Nye delves into this fascination and the myth that emerged from it, providing a comprehensive analysis of the cultural and intellectual currents of the time.

What sets this book apart is its unique framing, which encompasses art, literature, and politics. It offers a comprehensive and interdisciplinary approach to understanding the complexities of the Romantic period. Whether you are an undergraduate or postgraduate student studying theatre, literary studies, or the Romantic era, this book is an essential read. It provides valuable insights into the artistic, intellectual, and social developments of the time, shedding light on the profound impact of Deburau and the Théâtre des Funambules on the artistic landscape of the era.

Weight: 700g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367134587