Deburau: Pierrot, Mime, and Culture

This book explores the nature of Deburau's mime art and the pantomime performances of the Théâtre des Funambules in Paris during the Romantic period, examining their association with social reform and revolution. It is a valuable resource for undergraduates and postgraduates studying theatre, literary studies, and the Romantic period.

Format: Paperback / softback
Length: 276 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This comprehensive volume delves into the intricate nature of Deburau's mime art and the pantomime performances held at the Théâtre des Funambules in Paris during the Romantic era. It explores the profound connections between these artistic expressions and the broader realm of Romantic art, literature, and socio-political thought.

Deburau and the Théâtre des Funambules stand as iconic representations of Romantic art, closely intertwined with aspirations for social reform and even revolution. Deburau, in particular, gained immense admiration from intellectuals such as George Sand, who regarded him as a prominent member of the "poète-maçon movement." Edward Nye examines this fascination and the myth that emerged from it, shedding light on the profound impact Deburau had on the artistic and intellectual landscape of the time.

The book's unique framing in art, literature, and politics makes it an essential read for undergraduates and postgraduates studying theatre, literary studies, and the Romantic period. It offers a deep and insightful exploration of the interplay between these artistic disciplines and the social and political contexts of the era, providing valuable insights into the complexities of Romanticism and its enduring legacy.

Weight: 453g
Dimension: 234 x 156 (mm)
ISBN-13: 9781032225647