Decentring France: Multilingualism and Power in Contemporary French Cinema

Modern French films explore the multicultural nature of France through language, with multilingual characters offering counter-perspectives to dominant ideologies. Decentring France is the first substantial study of multilingual film in France, arguing that even historically-maligned languages can empower their speakers.

Format: Paperback / softback
Length: 232 pages
Publication date: 17 May 2019
Publisher: Manchester University Press

In a vibrant tapestry of human migration, trade, and cultural exchange, contemporary French films delve into the intricate tapestry of multiculturalism that defines modern-day France. These cinematic masterpieces harness the power of language to explore the diverse perspectives and experiences of a nation that is home to a multitude of languages. From the rival lingua francas of English to the socio-politically marginalized tongues of Arabic or Kurdish, multilingual characters in these films leverage their linguistic proficiency to challenge prevailing ideologies about the role of linguistic diversity in society.

Decentring France: A Study of Multilingual Film in France is a groundbreaking exploration of this linguistic landscape. Through a meticulous analysis of eight emblematic films, this book uncovers the complex power dynamics that shape the dialogue within these cinematic narratives. It argues that these films adopt a fresh perspective on language and power, demonstrating how even the most historically marginalized languages possess the potential to empower their speakers. This insightful book offers valuable insights to academics and students alike, shedding light on the ever-evolving relationship between language and power in the realm of French cinema.

Language plays a central role in shaping the narratives and characters of these films. Multilingual individuals, whether they are immigrants, refugees, or native speakers, bring their unique linguistic backgrounds and cultural perspectives to the forefront. Their ability to switch between languages not only adds depth and complexity to their characters but also allows them to challenge dominant narratives and ideologies.

For example, in the film "The Intouchables," a quadriplegic man is paired with a young man from a poor immigrant background. Their linguistic and cultural differences initially create barriers, but through their interactions, they learn to bridge the gap and form a deep bond. The film explores the power of language to break down social hierarchies and promote empathy and understanding.

Similarly, in "La Haine," a gritty portrayal of urban violence, the main characters, who are predominantly from marginalized communities, use their language as a tool for resistance and empowerment. They reclaim their voice and express their grievances through rap music, which becomes a powerful means of communication and social activism.

Furthermore, multilingualism in French films extends beyond individual characters. It reflects the broader cultural landscape of the country, showcasing the diverse communities and traditions that make up modern-day France. The films often depict multilingual signage, advertisements, and dialogue, reflecting the reality of a nation that is increasingly multicultural.

In conclusion, contemporary French films offer a captivating window into the multifaceted nature of multiculturalism in modern-day France. Through the power of language, these films challenge prevailing ideologies about linguistic diversity and empower their multilingual characters to express their unique perspectives and experiences. Decentring France: A Study of Multilingual Film in France provides a valuable contribution to the field of film studies, shedding light on the complex interplay between language, power, and culture in the realm of French cinema.

Weight: 298g
Dimension: 140 x 215 x 17 (mm)
ISBN-13: 9781526113580