Giacomo Botta
Deindustrialisation and Popular Music: Punk and 'Post-Punk' in Manchester, Dusseldorf, Torino and Tampere
Deindustrialisation and Popular Music: Punk and 'Post-Punk' in Manchester, Dusseldorf, Torino and Tampere
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- More about Deindustrialisation and Popular Music: Punk and 'Post-Punk' in Manchester, Dusseldorf, Torino and Tampere
The book explores the relationship between popular music cultures in 1980s Torino,Tampere,Manchester,and Düsseldorf and their relation to the industrial city as imaginary,heritage,and everyday reality. It examines whether there is an organic relationship between de-industrialization and the production of this music.
Format: Paperback / softback
Length: 160 pages
Publication date: 15 May 2022
Publisher: Rowman & Littlefield
The book delves into a captivating comparative analysis of popular music cultures in four distinct cities: Torino, Tampere, Manchester, and Düsseldorf. It explores the intricate relationship between these cities and the concept of the industrial city as an imaginary, heritage, and everyday reality. Within this framework, the book examines the prevalence of popular music genres such as hardcore punk, house, industrial, post-punk, and heavy metal during the 1980s. It seeks to understand the profound connection between these genres and the decaying industrial environments that gave rise to them.
While these genres have been widely celebrated and acknowledged as "scores" for the gray, gloomy, and decaying urban industrial landscapes, the book raises an intriguing question: Is there an organic relationship between de-industrialization and the production of this particular type of music?
In Torino, the authors examine the vibrant music scene that emerged during the 1980s, particularly in the city's suburbs. They explore how the local community, influenced by the economic downturn and social changes brought about by de-industrialization, responded to the emergence of hardcore punk and other genres. The book highlights the role of music as a means of expression and empowerment, providing a voice to those who felt marginalized by the changing industrial landscape.
In Tampere, the focus shifts to the city's industrial heritage and its impact on the local music scene. The authors examine how the industrial past has shaped the musical traditions and aesthetics of the city, from the heavy metal scene that thrived in the former factories to the electronic music scene that emerged in the 2000s. They explore how the industrial city has become a symbol of resilience and creativity, inspiring artists and musicians to push boundaries and create new forms of expression.
In Manchester, the book explores the role of the music industry in the city's economic development and social transformation. It examines how the music industry has become a major employer and catalyst for urban regeneration, particularly in the aftermath of the decline of the textile industry. The authors highlight the impact of music on Manchester's identity and culture, from the iconic bands that emerged from the city's punk scene to the contemporary music scene that continues to thrive.
In Düsseldorf, the book delves into the city's rich musical history and its connection to the industrial revolution. It explores how the industrial city has evolved over time, from its industrial roots to its current status as a hub for creativity and innovation. The authors examine how the local music scene has been shaped by the city's industrial heritage, from the electronic music scene that emerged in the 1980s to the contemporary music scene that continues to push boundaries.
Through its comprehensive analysis, the book offers a nuanced understanding of the complex relationship between popular music cultures, the industrial city, and the broader social and economic context. It sheds light on the ways in which music can serve as a powerful tool for cultural expression, identity formation, and social change, particularly in the context of de-industrialization.
In conclusion, the book is a valuable contribution to the field of music studies and urban studies. It provides a rich and nuanced perspective on the role of popular music cultures in the context of de-industrialization, challenging traditional narratives and offering new insights into the complex relationship between urban environments, music, and society.
Dimension: 229 x 152 (mm)
ISBN-13: 9781538148273
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