Die Kunst zu sehen: Johann Heinrich Meyer und die Bildpraktiken des Klassizismus

Johann Heinrich Meyer (1760-1832) was a key figure in the classical movement around 1800. This study examines his artistic and literary work in relation to each other. The practices of recording on-site, copying, and annotating are considered essential elements of the classical theory of art history and aesthetics. Italian records from 1795-1797 are also extensively evaluated, as they provide valuable insights into the history of collecting and provenance research. The examination of Meyer's artistic and literary legacy aims to reconstruct the practice of a creative scholar, which has had a lasting impact on Goethe's color theory, among other things.

Format: Hardback
Length: 496 pages
Publication date: 26 October 2020
Publisher: De Gruyter

Goethes Kunstberater Johann Heinrich Meyer (1760-1832) played a pivotal role in the classical movement around 1800. This study explores his artistic and literary works in the context of their relationship. The practices of on-site recording, copying, and sketching are considered central to the formation of the classical theory of art history and aesthetics.

Additionally, the Italian records from 1795-1797 are extensively evaluated, as they provide valuable insights into the history of collecting and provenance research. The examination of Meyers artistic and literary legacy aims to reconstruct the practices of a creative scholar, which have had a lasting impact on Goethes color theory, among other aspects of his artistic development.

Weight: 1348g
Dimension: 186 x 245 x 39 (mm)
ISBN-13: 9783110588064