Early English Composers and the Credo: Emphasis as Interpretation in Sixteenth-Century Music

This book explores the relationship between music and words in the works of five major English Renaissance composers, using markedness theory and style analysis to demonstrate how musical and linguistic emphasis can be used to understand the composers' theological interpretations of the Latin Credo. It offers new insights into the changing musical and religious world of the sixteenth century and provides a flexible and widely adaptable tool for the analysis of musical-textual relationships.

Format: Paperback / softback
Length: 270 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This captivating book delves into the intricate relationship between music and words in the works of five renowned composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. By examining their settings of the Latin Credo, the author showcases how musical and linguistic emphasis can be employed to unravel the theological interpretations embedded within the text. Through a fusion of markedness theory and style analysis, the study reveals how these composers skillfully employed their musical prowess to bring certain elements of the liturgy to the forefront of perception, while simultaneously relegating others to supporting roles. This innovative approach invites listeners to experience the familiar words of the liturgy in fresh and unique ways, fostering a deeper understanding of the composers' theological intentions.

By exploring the changing musical and religious landscape of sixteenth-century England, this book holds immense relevance for scholars engaged in the study of music or religion during this period. Its flexible and widely adaptable analytical framework provides valuable tools for scholars seeking to examine the intricate interplay between musical and textual elements across a wide range of musical compositions.

In conclusion, this groundbreaking book offers a profound exploration of the relationship between music and words in the works of the English Renaissance composers, shedding light on their theological interpretations and artistic choices. It serves as a valuable resource for scholars, musicians, and enthusiasts alike, enriching our understanding of early modern English music and its profound impact on religious and cultural discourse.

Weight: 432g
Dimension: 228 x 151 x 18 (mm)
ISBN-13: 9781032047607