Embodying Art: How We See, Think, Feel, and Create

Embodying Art challenges the traditional understanding of the relationship between neuroscience and aesthetics by arguing that the brain is not the sole site of aesthetic appreciation. Chiara Cappelletto examines neuroscientific and philosophical scholarship, artworks, and art criticism to explore the epistemological premises and theoretical consequences of neuroaesthetics reductionism. She argues that the brain is embodied and embedded in affective, cultural, and historical milieus and offers a philosophical account of the human brain as a living artifact.

Format: Paperback / softback
Length: 280 pages
Publication date: 08 November 2022
Publisher: Columbia University Press

In recent years, neuroscientists have embarked on ambitious endeavors to unravel the intricate workings of artistic processes and the act of spectatorship through the utilization of brain imaging techniques. However, the question remains: can brain science truly penetrate the enigmatic realm of art? Is the brain, in fact, the epicenter of aesthetic appreciation?

Embodying Art challenges the conventional understanding of the relationship between neuroscience and aesthetics by shifting the focus of inquiry from the brain itself to the personal experiences we encounter in the world. Chiara Cappelletto, the author, delves into a comprehensive analysis, encompassing close readings of neuroscientific and philosophical scholarship, as well as artworks and art criticism. Through this multidisciplinary approach, Cappelletto identifies the epistemological premises and theoretical implications of these various discourses.

She critically examines neuroaesthetic reductionism, a perspective that posits a mind/body divide and suggests that the brain is solely responsible for aesthetic experiences. Cappelletto challenges this notion by arguing that the brain is not an isolated entity but rather is deeply intertwined with affective, cultural, and historical milieus. She advocates for a more holistic understanding of the human brain, one that encompasses scientific, philosophical, and visual and performance arts discourses.

Cappelletto explores the ways in which neuroaesthetics has constructed its field of study, examining how digital renderings and scientific data have been employed to portray the brain as a cultural and visual object. She traces the interconnected histories of brain science and aesthetic theory, unveiling the profound philosophical implications of this relationship.

In Embodying Art, Cappelletto presents a strikingly original and profound philosophical account of the human brain as a living artifact. She challenges the notion of the brain as a static entity and instead presents it as a dynamic and fluid system that is constantly shaped by our experiences and interactions with the world. Through this lens, she offers a fresh perspective on the nature of consciousness, perception, and artistic expression.

In conclusion, Embodying Art offers a thought-provoking exploration of the complex interplay between neuroscience and aesthetics. By challenging the boundaries between these fields and advocating for a more holistic understanding of the human brain, Cappelletto provides a valuable contribution to the ongoing discourse on the nature of art and the human mind. This book encourages readers to reevaluate their assumptions about the relationship between brain and aesthetics and to embrace a broader perspective that recognizes the embodied and embedded nature of our cognitive and emotional experiences.

Weight: 442g
Dimension: 153 x 228 x 20 (mm)
ISBN-13: 9780231195874