Emotions, Ethics, and Cinematic Experience: New Phenomenological and Cognitivist Perspectives

Phenomenology and cognitivism are two influential approaches to film theory that offer valuable insights into our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches can be combined to create a philosophy of film that is both descriptive and theoretical.

\n Format: Hardback
\n Length: 144 pages
\n Publication date: 01 June 2021
\n Publisher: Berghahn Books
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Since the early 1990s, phenomenology and cognitivism have emerged as two of the most influential approaches to film theory, offering profound insights into our subjective experience of cinema. While these two approaches may seem to diverge, they actually complement each other in illuminating the complex tapestry of cinematic emotions, ethics, and aesthetics.

In Emotions, Ethics, and Cinematic Experience, the author delves into the intricate interplay between these three elements, exploring how they shape our perception and interpretation of films. Through a multidisciplinary approach, the book combines insights from philosophy, psychology, and film studies to develop a comprehensive philosophy of film that is both descriptively rich and theoretically productive.

One of the key themes explored in the book is the relationship between cinematic experience and emotions. The author argues that emotions are an essential component of the cinematic experience, as they allow us to connect with the characters and the story on a deeper level. By analyzing the emotional dynamics of films, the author seeks to understand how emotions shape our perception of the world and how they can be used to convey ethical and moral messages.

Another important aspect of the book is the exploration of ethics in cinema. The author argues that films have the power to raise ethical questions and prompt us to reflect on our own values and beliefs. By analyzing the ethical dilemmas presented in films, the author seeks to understand how films can be used as a tool for social change and as a means of promoting empathy and understanding between different cultures and communities.

The book also takes a close look at the aesthetics of cinema, exploring how films are created and how they are perceived by audiences. The author argues that aesthetics is an important aspect of the cinematic experience, as it allows us to appreciate the beauty and complexity of films and to engage with them on a sensory level. By analyzing the visual and auditory elements of films, the author seeks to understand how films can create a sense of wonder and awe and how they can be used to convey complex ideas and emotions.

In conclusion, Emotions, Ethics, and Cinematic Experience is a groundbreaking work that offers a fresh and innovative perspective on film theory. By combining insights from phenomenology, cognitivism, and other fields, the author has created a philosophy of film that is both descriptively rich and theoretically productive. The book is a must-read for anyone interested in the study of film and the human experience, as it provides valuable insights into the complex relationship between cinematic experience, emotions, and ethics.

\n Weight: 380g\n
Dimension: 159 x 236 x 17 (mm)\n
ISBN-13: 9781800731448\n \n