Anna Batori
Extreme Cinema in Eastern Europe
Extreme Cinema in Eastern Europe
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Investigates how contemporary national trends within Eastern Europe correspond to the global stream of transgressive filmmaking
Format: Hardback
Length: 192 pages
Publication date: 31 May 2021
Publisher: Edinburgh University Press
The Extreme Cinema of Eastern Europe explores extreme,transgressive cinema that developed following a post-2000 wave in filmmaking that aestheticised violence on audio-visual,narrative and thematic levels. Batori investigates the ways in which contemporary national trends from within Eastern Europe correspond to the global stream of transgressive filmmaking and shock aesthetics that have become the dominant markers of world cinema. Do these art productions intend to reveal and criticise aggressions in domestic landscapes or are they part of a contemporary global visual discourse? With a specific focus on gender,this book highlights both nation-specific features of these films and their relationship to global extreme art films.
The study of Eastern European extreme films delves into the exploration of violent content in audiovisual, narrative, and thematic aspects. It seeks to understand how these films address violence, both within their local contexts and in comparison to global cinema. The research aims to identify the unique approaches taken by Eastern European filmmakers in deploying shock tactics and explore the local variations and specialisms within the region. Additionally, it examines the representation of injured and/or pornographic bodies and sexual abuse in contemporary cinema art and exploitation cinema of Eastern Europe.
The Extreme Cinema of Eastern Europe examines extreme,transgressive cinema that developed following a post-2000 wave in filmmaking that aestheticised violence on audio-visual,narrative and thematic levels. Batori investigates the ways in which contemporary national trends from within Eastern Europe correspond to the global stream of transgressive filmmaking and shock aesthetics that have become the dominant markers of world cinema. Do these art productions intend to reveal and criticise aggressions in domestic landscapes or are they part of a contemporary global visual discourse? With a specific focus on gender,this book highlights both nation-specific features of these films and their relationship to global extreme art films.
The study of Eastern European extreme films delves into the exploration of violent content in audiovisual, narrative, and thematic aspects. It seeks to understand how these films address violence, both within their local contexts and in comparison to global cinema. The research aims to identify the unique approaches taken by Eastern European filmmakers in deploying shock tactics and explore the local variations and specialisms within the region. Additionally, it examines the representation of injured and/or pornographic bodies and sexual abuse in contemporary cinema art and exploitation cinema of Eastern Europe.
The Extreme Cinema of Eastern Europe examines extreme,transgressive cinema that developed following a post-2000 wave in filmmaking that aestheticised violence on audio-visual,narrative and thematic levels. Batori investigates the ways in which contemporary national trends from within Eastern Europe correspond to the global stream of transgressive filmmaking and shock aesthetics that have become the dominant markers of world cinema. Do these art productions intend to reveal and criticise aggressions in domestic landscapes or are they part of a contemporary global visual discourse? With a specific focus on gender,this book highlights both nation-specific features of these films and their relationship to global extreme art films.
The study of Eastern European extreme films delves into the exploration of violent content in audiovisual, narrative, and thematic aspects. It seeks to understand how these films address violence, both within their local contexts and in comparison to global cinema. The research aims to identify the unique approaches taken by Eastern European filmmakers in deploying shock tactics and explore the local variations and specialisms within the region. Additionally, it examines the representation of injured and/or pornographic bodies and sexual abuse in contemporary cinema art and exploitation cinema of Eastern Europe.
Dimension: 234 x 156 (mm)
ISBN-13: 9781474448321
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