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Timothy Harte

Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930

Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930

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  • More about Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930


The emergence of modernism in the early 20th century coincided with a rapid acceleration in the pace of human experience, which inspired artists to celebrate speed as a unique source of inspiration. This cultural phenomenon, which began in the early 1910s and continued to the late 1920s, explored how the idea of speed propelled the nation's arts toward abstraction and the ideal of a dynamic, streamlined future.

Format: Hardback
Length: 418 pages
Publication date: 06 September 2022
Publisher: Academic Studies Press


The modernist era brought about a remarkable transformation in the pace of life, as technological advancements such as automobiles, airplanes, and motion pictures proliferated at the turn of the twentieth century. This rapid change not only revolutionized everyday existence but also had a profound impact on modernist culture. From Manhattan to Milan to Moscow, the rise of modernism coincided with a surge in the speed of human experience, which artists celebrated and embraced as a source of inspiration.

Speed quickly became aestheticized, transcending its ordinary physical connotation and evolving into a unique creative force. Artists in Russia, although somewhat late to the modernist movement, found themselves propelled by the increased tempo of life at the start of the twentieth century. This infusion of creative dynamism provided a crucial momentum for the avant-garde movement's revolutionary experimentation.

Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930, is a comprehensive examination of the ideas and images of speed that permeated Russian modernist poetry, painting, and cinema during this period. The book explores how the concept of speed propelled the nation's arts toward abstraction and the ideal of a dynamic, streamlined future. By leveraging the power of speed as a conceptual tool, artists sought to break down the figurative stasis of traditional representational art and reevaluate everyday reality.

Russian avant-garde poets, painters, and filmmakers raced to establish a new artistic and social reality, pushing the boundaries of what was possible in the visual and literary arts. They sought to capture the essence of speed, its beauty, and its destructive power, using it as a means to express the dynamic and ever-changing nature of modern life.

The aesthetics of speed in Russian avant-garde culture were characterized by a focus on movement, speed, and dynamism. Artists used bold colors, geometric shapes, and abstract forms to convey the sense of velocity and the exhilaration of moving at high speeds. They experimented with different techniques, such as cubism, futurism, and expressionism, to capture the dynamic nature of the modern world.

In addition to its aesthetic appeal, speed also held significant ideological implications in Russian avant-garde culture. The movement was deeply influenced by the ideals of socialism and communism, which emphasized the importance of collective action, social equality, and the pursuit of a better future. Artists used their work to critique the existing social order and advocate for a more progressive and egalitarian society.

Furthermore, speed became a symbol of the technological advancements and scientific progress of the time. Artists saw the rapid development of industry and transportation as a means to transform society and create a more efficient and productive world. They celebrated the power of science and technology to create new possibilities and improve the quality of life for all.

However, the pursuit of speed also had its darker side. The increased tempo of life led to a sense of disorientation, stress, and anxiety, as individuals struggled to keep up with the demands of modern society. Artists often depicted the negative consequences of speed, such as the destruction of natural environments, the erosion of human relationships, and the loss of individuality.

In conclusion, the modernist era brought about a remarkable transformation in the pace of life, which had a profound impact on modernist culture. Speed became a powerful conceptual tool for artists, allowing them to break down the figurative stasis of traditional representational art and reevaluate everyday reality. The aesthetics and ideology of speed in Russian avant-garde culture were characterized by a focus on movement, speed, and dynamism, as well as by significant social and political implications. While speed had its positive aspects, it also had its negative consequences, highlighting the need for balance and moderation in our fast-paced world.


Dimension: 228 x 152 (mm)
ISBN-13: 9781644699928

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