Fools & Folly in Flemish Art

According to medieval theologians, faith is a deadly serious business, and humor and virtue are irreconcilable. Laughter is the playing field of the devil, while a modest smile is permitted. Peasants are gullible and primitive, while urban partygoers can play the fool during Innocents Day parties or Shrove Tuesday celebrations. Erasmus' In Praise of Folly writes through the persona of Folly to denounce social problems, and laughter alters the world. This original art book is illustrated with dozens of top-quality works by Flemish masters.

Format: Hardback
Length: 256 pages
Publication date: 23 February 2023
Publisher: Cannibal/Hannibal Publishers

Faith, according to medieval theologians, is a solemn and profound matter. The juxtaposition of humor and virtue is deemed impossible, as laughter is uncontrollable and often defies rational control. While a modest smile may be permitted, engaging in loud laughter, grinning, and grimacing is considered the domain of the devil, akin to other uncontrollable urges such as physical love or gambling addiction. Such behavior is deemed inappropriate for those of refined intellect and social standing.

In the late Middle Ages, a clear distinction existed between peasants and fools. Peasants were often portrayed as naive, simple-minded individuals who readily indulged in feasting, gorging, drinking, and sexual activities. They represented the antithesis of the cultivated urbanite, who meticulously controlled their desires and refrained from excessive laughter. However, during special occasions like Innocents Day parties or Shrove Tuesday celebrations, urban partygoers were allowed to temporarily shed their sophistication and engage in foolery, revealing their "underbelly."

The fool, in contrast to the peasant, defies the established order. He holds a mirror up to the self-proclaimed wise citizens, exposing their flaws and shortcomings through his infectious laughter, even though it may be hidden behind crude and vulgar expressions. This ability of laughter to reveal the truth is why Erasmus, in his renowned work "In Praise of Folly," chose to write through the persona of Folly, allowing the wise person to conceal themselves when denouncing social problems. Laughter, therefore, possesses the power to alter the world and challenge the status quo.

In the context of medieval art, particularly in the Low Countries, the fool and irony became prominent motifs. This original art book showcases a collection of dozens of high-quality works by Flemish masters, sourced from prestigious global collections. These artworks vividly depict the fool's mischievous nature, his ability to subvert expectations, and his use of irony to comment on societal issues. Through their artistic expressions, medieval artists sought to entertain, educate, and provoke thought, leaving a lasting impact on the cultural landscape of the time.

Weight: 1742g
Dimension: 290 x 250 (mm)
ISBN-13: 9789463887816