Ildar D. Khannanov
Form vs. Work: A Major Antinomy of Music Theory and Analysis
Form vs. Work: A Major Antinomy of Music Theory and Analysis
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- More about Form vs. Work: A Major Antinomy of Music Theory and Analysis
The antinomy of musical work and musical form has been a central issue in music theory for centuries, with musical work being complete and all-inclusive, while musical form is self-sufficient and epistemologically sovereign. This book offers an insiders view of the latter from both Western and Russian perspectives, with previously unpublished materials.
Format: Hardback
Length: 330 pages
Publication date: 27 February 2024
Publisher: Jenny Stanford Publishing
The profound interplay between musical composition and structure has been a central focus of music theory for centuries. A musical work is considered complete and comprehensive, making it an ideal subject for scholarly exploration. While the teaching of musical form may be selective, it possesses its own epistemological integrity and can be taught independently. This book provides a comprehensive historical overview and analytical discourse on this antinomy, exploring it from both Western and Russian perspectives. It offers an insightful insiders perspective, featuring previously unpublished materials.
The antinomy of musical work and musical form has been a central theme in music theory for centuries. A musical work is considered complete and all-encompassing, making it an ideal subject for scholarly investigation. While the teaching of musical form may be selective, it possesses its own epistemological autonomy and can be taught independently. This book provides a comprehensive historical overview and analytical discourse on this antinomy, exploring it from both Western and Russian perspectives. It offers an insightful insiders perspective, featuring previously unpublished materials.
The relationship between musical composition and structure has been a central concern in music theory for centuries. A musical work is perceived as complete and comprehensive, rendering it an ideal subject for scholarly exploration. While the teaching of musical form may be selective, it possesses its own epistemological integrity and can be taught independently. This book offers a comprehensive historical overview and analytical discourse on this antinomy, exploring it from both Western and Russian perspectives. It provides an insightful insiders perspective, featuring previously unpublished materials.
The interplay between musical composition and structure has been a central focus of music theory for centuries. A musical work is considered complete and comprehensive, making it an ideal subject for scholarly investigation. While the teaching of musical form may be selective, it possesses its own epistemological autonomy and can be taught independently. This book provides a comprehensive historical overview and analytical discourse on this antinomy, exploring it from both Western and Russian perspectives. It offers an insightful insiders perspective, featuring previously unpublished materials.
Weight: 790g
Dimension: 229 x 152 (mm)
ISBN-13: 9789815129014
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