From Byzantine to Norman Italy: Mediterranean Art and Architecture in Medieval Bari

The book "From Byzantine to Norman Italy: Art and Architecture in the Archdiocese of Bari and Canosa" is the first major study to analyze the art and architecture of the archdiocese during the Byzantine and Norman periods. It argues that international connections with the eastern Mediterranean shaped art and architecture, and explores how cross-cultural encounters, the first crusade, slavery, and disruptions in the relationship with Constantinople influenced the visual culture.

Format: Hardback
Length: 288 pages
Publication date: 23 February 2023
Publisher: Bloomsbury Publishing PLC

This groundbreaking study is the first comprehensive examination of the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the tumultuous Norman conquest. The book contextualizes Bari and Canosa within the Mediterranean realm, highlighting the enduring influence of international connections with the Eastern Mediterranean on art and architecture throughout the Byzantine and Norman eras. Clare Vernon's extensive research encompasses a diverse range of media, including architecture, sculpture, metalwork, manuscripts, epigraphy, and luxury portable objects. By exploring these various forms of artistic expression, Vernon sheds light on how cross-cultural encounters, the First Crusade, slavery, and the shifting dynamics between the archdiocese and Constantinople shaped the visual culture of the region. From Byzantine to Norman Italy offers valuable insights to students and scholars of Byzantine art, medieval Mediterranean history, and the Italo-Norman world.

Introduction:
The archdiocese of Bari and Canosa, located in southern Italy, holds a significant place in the history of art and architecture during the Byzantine and Norman periods. This study aims to provide a comprehensive analysis of the artistic and architectural developments within this region during this pivotal time.
The Byzantine Period:
The Byzantine period witnessed a flourishing of artistic and architectural activity in the archdiocese. The construction of numerous churches, monasteries, and other religious structures characterized this era. The architecture of the Byzantine period is known for its grandeur and intricate details, with the use of marble, mosaic, and fresco painting being prominent features. The churches often featured domed structures, with elaborate mosaics depicting biblical scenes and saints. The monasteries, on the other hand, were characterized by their simple and functional design, with emphasis on austerity and meditation.
The Norman Conquest:
The Norman conquest brought about significant changes to the archdiocese. The new rulers, the Normans, introduced their own architectural styles and influences to the region. The most notable feature of the Norman architecture was the use of stone, which was used to construct castles, fortresses, and other military structures. The Norman churches also adopted a more Gothic style, with pointed arches, ribbed vaults, and stained glass windows.
International Connections:
One of the key themes of this study is the role of international connections in shaping the art and architecture of the archdiocese. The archdiocese was located on the border of the Byzantine Empire and the Norman Kingdom, and it was heavily influenced by both cultures. The Normans, in particular, were influenced by the architectural styles of the Byzantine Empire, particularly the Hagia Sophia in Istanbul. However, they also incorporated their own unique architectural features, such as the use of stone and the Gothic style.
Patronage:
Patronage played a significant role in the development of art and architecture in the archdiocese. The wealthy and powerful individuals of the region often commissioned works of art and architecture to showcase their status and wealth. The construction of grandiose churches and monasteries was often funded by wealthy noble families, while the decoration of these structures with intricate mosaics, frescoes, and sculptures was often the work of skilled artisans.
Conclusion:
In conclusion, this study provides a comprehensive analysis of the art and architecture of the archdiocese of Bari and Canosa during the Byzantine and Norman periods. The region's rich cultural heritage is evident in the numerous churches, monasteries, and other religious structures that were constructed during this time. The study also highlights the role of international connections, patronage, and the Norman conquest in shaping the artistic and architectural developments of the region. From Byzantine to Norman Italy offers valuable insights into the cultural and historical significance of this period.

Weight: 570g
Dimension: 240 x 163 x 22 (mm)
ISBN-13: 9781788315067