Georges Didi-Huberman and Film: The Politics of the Image

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Alison Smith's book explores how his work has been informed by cinema, particularly in his recent work LOeil de lHistoire, which traces the development of his visual thought towards a cinematic sensibility. It also documents his engagement with contemporary filmmakers.

Format: Paperback / softback
Length: 184 pages
Publication date: 30 June 2022
Publisher: Bloomsbury Publishing PLC

Georges Didi-Huberman, a philosopher of images whose work demands the attention of English-language readers, has been producing groundbreaking essays since the publication of his debut book in 1982. With a prolific output of 46 essays, primarily published through esteemed Editions de Minuit, his writings span a wide range of topics, from monographs on individual artists to critical explorations into political philosophy. Recognized as one of the foremost philosophers of image writing today, Didi-Huberman's influence extends across France and throughout Europe.

In her book, Georges Didi-Huberman and Film, Alison Smith delves into the profound influence of cinema on Didi-Huberman's work, particularly in his recent masterpiece, LOeil de lHistoire (The Eye of History). The book charts the evolution of Didi-Huberman's visual thought, leading him toward a cinematic sensibility that was already evident in his early explorations of images in relation to each other. It explores his growing political understanding of cinematic montage, his recognition of cinema as a medium for expressing a dynamic representation of people's memory and experience, and his engagement with contemporary filmmakers like Laura Waddington and Vincent Dieutre.

Through meticulous analysis and insightful interpretation, Smith sheds light on the ways in which Didi-Huberman's philosophical lens is shaped by his deep appreciation for cinema. She highlights the ways in which his work intersects with the history of visual representation, from early cinema to contemporary digital media, and explores the ethical and political dimensions of image-making. Georges Didi-Huberman and Film is a valuable contribution to the field of image studies, offering a fresh perspective on the role of images in shaping our understanding of the world. It is a must-read for anyone interested in the power of visual language and the enduring influence of cinema on contemporary thought.

Weight: 248g
Dimension: 216 x 139 x 15 (mm)
ISBN-13: 9781350193383