Aline Guillermet
Gerhard Richter and the Technological Condition of Painting
Gerhard Richter and the Technological Condition of Painting
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- More about Gerhard Richter and the Technological Condition of Painting
Aline Guillermet explores Gerhard Richters appropriation of science and technology from 1960 to the present, highlighting his engagement with Western painting's canon. She reveals his role in affirming the technological condition of painting in the second half of the twentieth century, where medium and conventions have been shaped by technological innovations.
Format: Hardback
Length: 256 pages
Publication date: 31 August 2024
Publisher: Edinburgh University Press
Aline Guillermet's research on Gerhard Richter's artistic appropriation of science and technology from 1960 to the present sheds light on the artist's significant engagement with the Western painting canon. By examining Richter's portraits, history paintings, landscapes, and ornamental abstractions, Guillermet highlights the artist's role in affirming the technological condition of painting in the second half of the twentieth century. This historical period marked a significant shift in which the medium and its conventions were profoundly influenced by technological innovations. Through her analysis, Guillermet demonstrates how Richter's artistic choices and techniques have contributed to the transformation of painting, making it a dynamic and evolving art form.
Dimension: 210 x 210 (mm)
ISBN-13: 9781399525213
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