Greek Tragedy After the Fifth Century: A Survey from ca. 400 BC to ca. AD 400

Greek tragedy did not die along with Euripides, as thirteen eminent specialists demonstrate in this book. It provides in-depth discussions of textual evidence, historical perspectives, and the reception of Greek tragedy in different periods. Oft-neglected plays are also studied, showcasing the richness and diversity of the genre.

Format: Paperback / softback
Length: 429 pages
Publication date: 22 July 2021
Publisher: Cambridge University Press

This comprehensive survey reveals that the notion of Greek tragedy's demise alongside Euripides is entirely inaccurate. In this invaluable resource, thirteen esteemed experts present a comprehensive exploration of a previously underappreciated yet pivotal chapter in the history of Greek tragedy. The book offers in-depth examinations of all available textual evidence, including inscriptions and papyri, while also providing historical insights into every facet of the post-fifth-century trajectory of tragedy. Oft-overlooked plays, such as Rhesus, Alexandra, and Exagōgē (the sole surviving Biblical tragedy), are analyzed alongside key topics such as the expansion of Greek tragedy beyond Athens, theatrical performances, music, dance, society, politics, and the reception of Greek tragedy in the Second Sophistic and Late Antiquity. Moreover, the book underscores the significance of ancient scholarship in the preservation and transmission of Greek tragic texts.

Introduction:
Greek tragedy, a profound and enduring artistic tradition, has left an indelible mark on the world of literature and drama. While Euripides, one of the most celebrated playwrights of ancient Greece, is often regarded as the pinnacle of this genre, it is crucial to recognize that Greek tragedy did not perish along with him. This survey aims to dispel misconceptions and provide a comprehensive examination of the post-Euripidean era of Greek tragedy.

The Expansion of Greek Tragedy:
After Euripides, Greek tragedy continued to evolve and thrive in various regions and cities. Playwrights like Aeschylus, Sophocles, and Aristophanes emerged as prominent figures, each contributing their unique styles and perspectives to the genre. These playwrights expanded the boundaries of Greek tragedy by exploring new themes, characters, and settings, and their works were performed in theaters across Greece and beyond.

Theatre Performance:
The theatrical experience of Greek tragedy was central to its impact and popularity. The plays were performed in open-air theaters, where audiences gathered to witness the unfolding of the tragic stories. The actors, known as tragedians, possessed exceptional skills in vocal delivery, gesture, and movement, which helped to bring the characters to life and evoke powerful emotions in the audience.

Music and Dance:
Greek tragedy was closely intertwined with music and dance, which added depth and complexity to the performances. The plays were accompanied by lyre and aulos, instruments that produced haunting melodies and rhythms. The dancers, known as choruses, performed intricate movements that reflected the emotions and themes of the play, enhancing the overall impact of the production.

Society and Politics:
Greek tragedy often reflected the social and political climate of the time. Playwrights used the genre to explore themes of power, justice, morality, and the human condition, addressing the concerns and aspirations of the Athenian society. The plays often explored the conflicts between individuals, families, and communities, and the consequences of moral and ethical choices.

Reception in the Second Sophistic and Late Antiquity:
Greek tragedy continued to be appreciated and studied in the Second Sophistic and Late Antiquity periods. Philosophers and scholars such as Plato, Aristotle, and Plotinus wrote extensively about the genre, analyzing its themes, characters, and philosophical implications. The plays were also translated into other languages, allowing them to reach a broader audience and influence other artistic traditions.

Conclusion:
In conclusion, Greek tragedy did not die along with Euripides. The post-Euripidean era of Greek tragedy was marked by significant expansion, innovation, and cultural significance. The plays continued to be performed and studied, and their themes and messages resonated with audiences across different periods and regions. Greek tragedy remains a testament to the enduring power of literature and the human capacity for empathy and reflection.

Weight: 626g
Dimension: 153 x 228 x 28 (mm)
ISBN-13: 9781009069830