Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris

This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816).

Format: Paperback / softback
Length: 188 pages
Publication date: 01 February 2019
Publisher: Ad Ilissum

During the 18th century, drawings by both ancient and modern masters gained immense popularity as coveted collectibles, becoming highly valued treasures in the art market. This scholarly exploration delves into the realm of art dealing, focusing on the experiences of Guillaume Jean Constantin (1755-1816), a prominent figure active in Paris during the latter part of the 18th century and the early years of the 19th century. Through meticulous analysis of Constantin's business transactions, as documented by the distinctive dealers' marks applied to his drawings and unpublished materials sourced from Parisian archives, a comprehensive picture of his dealership emerges.

Constantin's business network extended far beyond France, encompassing England, Italy, Germany, and Russia. His close relationship with Johann Friedrich Städel, a Frankfurt collector and the founder of the renowned Städel Institute, is particularly noteworthy, as it is intricately detailed through a wealth of documented evidence. Additionally, Constantin's multifaceted career included roles as an expert in estate evaluation, an auctioneer, and a print publisher. Notably, in 1794, he published the renowned portrait of revolutionary hero Jean-Paul Marat, following a design by Jacques-Louis David. Furthermore, he served as the paintings curator to Empress Joséphine, Napoleon's wife.

Working closely within the contemporary art world, Constantin actively supported living artists, including his close friend Pierre-Paul Prudhon. His working life spanned the tumultuous period between the French Revolution and the establishment of the Empire under Napoleon. The shifting allegiances of Constantin are observed against this historical backdrop, providing a rich and nuanced perspective on the art dealing landscape of the 18th and early 19th centuries.

This captivating book, published by Ad Ilissvm, is part of a new series titled "The Fondation Custodia Studies in the History of Art." The series aims to reflect and contribute to the ongoing study of art history, offering insightful perspectives and valuable insights into the world of art dealing and its historical significance.

Weight: 712g
Dimension: 245 x 198 x 17 (mm)
ISBN-13: 9781912168125