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Simon Frith,Matt Brennan,MartinCloonan,Emma Webster

History of Live Music in Britain, Volume III, 1985-2015: From Live Aid to Live Nation

History of Live Music in Britain, Volume III, 1985-2015: From Live Aid to Live Nation

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  • More about History of Live Music in Britain, Volume III, 1985-2015: From Live Aid to Live Nation

The three volumes of Live Music in Britain provide a comprehensive and insightful exploration of the social history of music in Britain from 1950 to the present day, focusing on the changing nature of the live music industry and its impact on various aspects of music culture.

\n Format: Hardback
\n Length: 274 pages
\n Publication date: 08 April 2021
\n Publisher: Taylor & Francis Ltd
\n


The existing knowledge about the social history of music in Britain from 1950 to the present day has been significantly lacking, leaving a significant gap that needs to be addressed. To bridge this gap, the three volumes of Live Music in Britain come to the forefront, offering a unique perspective through the lens of live music. The central theme of these books revolves around the evolving nature of the live music industry in the UK, encompassing popular music but also encompassing a wide range of musical genres. By focusing on this dynamic sector, the books provide valuable insights into various interconnected areas, including the dynamics between commercial and public funding of music, the shifting trends in musical fashions and tastes, the profound impact of technological advancements, the shifting power dynamics within the music industries, the role of the state in regulating and promoting diverse musical activities within an increasingly globalized music economy, and the profound effects of demographic and other social changes on music culture.

To achieve this comprehensive understanding, the books draw upon a rich tapestry of new archival research, a diverse array of academic and non-academic secondary sources, participant observation, and in-depth interviews with key personnel. These sources provide a solid foundation for the books, enabling them to become landmark works within Popular Music Studies and broader cultural history.

The third volume, in particular, delves into the period from Live Aid to Live Nation (1985–2015), providing a comprehensive account of the significant developments and transformations that occurred during this time. It sheds light on the rise period, including the rise of live music festivals, the emergence of new genres, the impact of digital technology, and the changing landscape of the music industry.

In conclusion, the three volumes of Live Music in Britain serve as a groundbreaking contribution to the field of Popular Music Studies and cultural history. By offering a unique perspective through the lens of live music, they provide valuable insights into the changing nature of the music industry, the impact of social changes, and the broader cultural landscape of Britain. These books are a must-read for scholars, researchers, and enthusiasts alike, as they offer a comprehensive and interdisciplinary understanding of the past, present, and future of music in the UK.

\n Weight: 582g\n
Dimension: 242 x 159 x 24 (mm)\n
ISBN-13: 9781409425915\n \n

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